George Antheil: Capital of the World; William Schuman: Undertow; Raffaello de Banfield: The Combat
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 | Artist | Joseph Levine | 
| Bewertung | |
| Epoche | Modern (1910-1949) | 
| Label | EMI | 
| Erschienen | 1997 | 
Klassik-Werke auf diesem Album
| # | Werk/Besetzung | Dauer | ||
|---|---|---|---|---|
| 1 | Capital of the World, ballet for orchestra, W. 249 | 25:57 | ||
 
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| 2 | Undertow, ballet (choreographic episodes) | 24:13 | ||
 
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| 3 | The Combat, ballet for orchestra | 21:16 | ||
 
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Tracks auf diesem Album
| # | Titel | Dauer | ||
|---|---|---|---|---|
| 1 | Capital of the World, ballet for orchestra, W. 249 - Part 1. The Street; Paco into Shop; Imaginary Bullfight; Owner; Enrique; The Seamstresses | 6:09 | ||
| 2 | Capital of the World, ballet for orchestra, W. 249 - Part 2. The Pompous Bullfighter; Tubercular Bullfighter; The Bullfighter Assistants; Cowardly Bullf | 11:59 | ||
| 3 | Capital of the World, ballet for orchestra, W. 249 - Part 3. Paco Back in Ship; Paco Practices Bullfighting; The Knives Fight & Paco's Death | 7:49 | ||
| 4 | Undertow, ballet (choreographic episodes) - Opening - The Transgressor is born | 2:38 | ||
| 5 | Undertow, ballet (choreographic episodes) - The Transgressor approaches manhood | 2:19 | ||
| 6 | Undertow, ballet (choreographic episodes) - A group of hoodlums rush past | 1:59 | ||
| 7 | Undertow, ballet (choreographic episodes) - Entrance of Volupia | 2:02 | ||
| 8 | Undertow, ballet (choreographic episodes) - Polyhymnia urges salvation | 2:18 | ||
| 9 | Undertow, ballet (choreographic episodes) - Entrance of Ate - Flirting with the Transgressor | 2:31 | ||
| 10 | Undertow, ballet (choreographic episodes) - Drunken women mock the bridal couple | 1:14 | ||
| 11 | Undertow, ballet (choreographic episodes) - Ate returns with the hoodlums | 1:27 | ||
| 12 | Undertow, ballet (choreographic episodes) - The drunken women interrupt - Ate escapes | 1:29 | ||
| 13 | Undertow, ballet (choreographic episodes) - The Transgressor & Medusa - Love & Death | 1:54 | ||
| 14 | Undertow, ballet (choreographic episodes) - Alone, the Transgressor writhes with fear | 1:39 | ||
| 15 | Undertow, ballet (choreographic episodes) - Finale - The Transgressor for his fatal act | 2:43 | ||
| 16 | The Combat, ballet for orchestra - Opening - Entrance of Clorinda | 4:02 | ||
| 17 | The Combat, ballet for orchestra - Tancred's dance - Prince of the Christian warriors | 3:55 | ||
| 18 | The Combat, ballet for orchestra - Clorinda and two Christian warriors engage in combat | 2:40 | ||
| 19 | The Combat, ballet for orchestra - Clorinda's plea for peace | 1:42 | ||
| 20 | The Combat, ballet for orchestra - Return of Tancred | 1:22 | ||
| 21 | The Combat, ballet for orchestra - The Combat - Tancred & Clorinda | 1:00 | ||
| 22 | The Combat, ballet for orchestra - Tancred's victory - Clorinda's identity is revealed | 1:18 | ||
| 23 | The Combat, ballet for orchestra - Love scene - Tancred & Clorinda | 4:36 | ||
| 24 | The Combat, ballet for orchestra - Finale - Tancred returns to combat | :41 | 
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