Harry Partch: The Bewitched
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TickIt!
| Artist | John Garvey |
| Bewertung | |
| Epoche | Modern (1910-1949) |
| Label | New World Records |
| Erschienen | 2005 |
Klassik-Werke auf diesem Album
| # | Werk/Besetzung | Dauer | ||
|---|---|---|---|---|
| 1 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments | 75:37 | ||
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Tracks auf diesem Album
| # | Titel | Dauer | ||
|---|---|---|---|---|
| 1 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Prologue. The Lost Musicians Mix Magic | 18:21 | ||
| 1 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Prologue. The Lost Musicians Mix Magic | 18:21 | ||
| 2 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 1. Three Undergrads Become Transfixed in a Hong Kong Music Hall | 5:34 | ||
| 2 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 1. Three Undergrads Become Transfixed in a Hong Kong Music Hall | 5:34 | ||
| 3 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 2. Exercises in Harmony and Counterpoint Are Tried in a Court of Ancient Ritual | 5:11 | ||
| 3 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 2. Exercises in Harmony and Counterpoint Are Tried in a Court of Ancient Ritual | 5:11 | ||
| 4 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 3. The Romancing of a Pathological Liar Comes to an Inspired End | 5:38 | ||
| 4 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 3. The Romancing of a Pathological Liar Comes to an Inspired End | 5:38 | ||
| 5 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 4. A Soul Tormented by Contemporary Music Finds a Humanizing Alchemy | 5:43 | ||
| 5 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 4. A Soul Tormented by Contemporary Music Finds a Humanizing Alchemy | 5:43 | ||
| 6 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 5. Visions Fill the Eyes of a Defeated Basketball Team in the Shower Room | 4:22 | ||
| 6 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 5. Visions Fill the Eyes of a Defeated Basketball Team in the Shower Room | 4:22 | ||
| 7 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 6. Euphoria Descends a Sausalito Stairway | 4:20 | ||
| 7 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 6. Euphoria Descends a Sausalito Stairway | 4:20 | ||
| 8 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 7. Two Detectives on the Trail of a Tricky Culprit Turn in Their Badges | 5:34 | ||
| 8 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 7. Two Detectives on the Trail of a Tricky Culprit Turn in Their Badges | 5:34 | ||
| 9 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 8. A Court in its Own Contempt Rises to a Motherly Apotheosis | 5:31 | ||
| 9 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 8. A Court in its Own Contempt Rises to a Motherly Apotheosis | 5:31 | ||
| 10 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 9. A Lost Political Soul Finds Himself Among the Voteless Women of Paradise | 6:00 | ||
| 10 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 9. A Lost Political Soul Finds Himself Among the Voteless Women of Paradise | 6:00 | ||
| 11 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 10. The Cognoscenti Are Plunged into a Demonic Descent While at Cocktails | 7:16 | ||
| 11 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Scene 10. The Cognoscenti Are Plunged into a Demonic Descent While at Cocktails | 7:16 | ||
| 12 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Epilogue | 2:07 | ||
| 12 | The Bewitched, dance-satire for voices & large ensemble of traditional & Partch instruments - Epilogue | 2:07 |
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