Mr. Henry Purcell's Most Admirable Composures
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 | Artist | James Bowman | 
| Bewertung |  | 
| Epoche | Barock (1600-1749) | 
| Label | Hyperion | 
| Erschienen | 1989 | 
Klassik-Werke auf diesem Album
Tracks auf diesem Album
| # |  | Titel |  | Dauer | 
|---|---|---|---|---|
| 1 |  | We sing to Him whose wisdom form'd the ear, sacred song for soprano, chorus of soprano & bass & continuo, Z. 199 |  | 2:19 | 
| 1 |  | We sing to Him whose wisdom form'd the ear, sacred song for soprano, chorus of soprano & bass & continuo, Z. 199 |  | 2:19 | 
| 2 |  | What Shall I Do? (from "Prophetess"), prelude and aria for soprano, Z. 627/18 |  | 1:57 | 
| 2 |  | What Shall I Do? (from "Prophetess"), prelude and aria for soprano, Z. 627/18 |  | 1:57 | 
| 3 |  | How long, great God?, sacred song for soprano & continuo, Z. 189 |  | 4:09 | 
| 3 |  | How long, great God?, sacred song for soprano & continuo, Z. 189 |  | 4:09 | 
| 4 |  | Not all my torments can your pity move, song, Z. 400 |  | 2:02 | 
| 4 |  | Not all my torments can your pity move, song, Z. 400 |  | 2:02 | 
| 5 |  | Music for a While (from "Oedipus"), song, Z. 583/2 |  | 3:32 | 
| 5 |  | Music for a While (from "Oedipus"), song, Z. 583/2 |  | 3:32 | 
| 6 |  | Fairest Isle (from "King Arthur"), aria for soprano, Z. 628/38 |  | 4:03 | 
| 6 |  | Fairest Isle (from "King Arthur"), aria for soprano, Z. 628/38 |  | 4:03 | 
| 7 |  | Hears not my Phyllis (The Knotting Song), song, Z. 371 |  | 2:31 | 
| 7 |  | Hears not my Phyllis (The Knotting Song), song, Z. 371 |  | 2:31 | 
| 8 |  | O let me weep ("The Plaint" from "The Fairy Queen"), aria, Z. 629/40 |  | 7:39 | 
| 8 |  | O let me weep ("The Plaint" from "The Fairy Queen"), aria, Z. 629/40 |  | 7:39 | 
| 9 |  | Ye tuneful muses (Welcome Ode for Charles II), for soloists, chorus & instruments, Z. 344 - With him he brings the partner of his throne |  | 4:51 | 
| 9 |  | Ye tuneful muses (Welcome Ode for Charles II), for soloists, chorus & instruments, Z. 344 - With him he brings the partner of his throne |  | 4:51 | 
| 10 |  | Ah! How sweet it is to love (from "Tyrannic Love"), song, Z. 613/2 |  | 2:02 | 
| 10 |  | Ah! How sweet it is to love (from "Tyrannic Love"), song, Z. 613/2 |  | 2:02 | 
| 11 |  | Celia has a thousand charms (from "The Rival Sisters, or, The Violence of Love"), song, Z. 609 |  | 2:30 | 
| 11 |  | Celia has a thousand charms (from "The Rival Sisters, or, The Violence of Love"), song, Z. 609 |  | 2:30 | 
| 12 |  | The fatal hour comes on apace, song, Z. 421 |  | 3:45 | 
| 12 |  | The fatal hour comes on apace, song, Z. 421 |  | 3:45 | 
| 13 |  | If music be the food of love, song, Z. 379 (3 settings) |  | 2:31 | 
| 13 |  | If music be the food of love, song, Z. 379 (3 settings) |  | 2:31 | 
| 14 |  | One charming night (from "The Fairy Queen"), alto aria, Z. 629/13 |  | 2:18 | 
| 14 |  | One charming night (from "The Fairy Queen"), alto aria, Z. 629/13 |  | 2:18 | 
| 15 |  | Since from my dear Astrea's sight (from "Prophetess"), aria for soprano, Z. 627/App2 |  | 3:30 | 
| 15 |  | Since from my dear Astrea's sight (from "Prophetess"), aria for soprano, Z. 627/App2 |  | 3:30 | 
| 16 |  | Welcome to all the pleasures (An Ode for St. Cecilia's Day), for soloists, chorus & instruments, Z. 339 |  | 4:03 | 
| 16 |  | Welcome to all the pleasures (An Ode for St. Cecilia's Day), for soloists, chorus & instruments, Z. 339 |  | 4:03 | 
| 17 |  | Now that the sun hath veiled his light, sacred song for soprano & continuo ("An Evening Hymn"), Z. 193 |  | 4:04 | 
| 17 |  | Now that the sun hath veiled his light, sacred song for soprano & continuo ("An Evening Hymn"), Z. 193 |  | 4:04 | 
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