Mr. Henry Purcell's Most Admirable Composures
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| Artist | James Bowman |
| Bewertung | |
| Epoche | Barock (1600-1749) |
| Label | Hyperion |
| Erschienen | 1989 |
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Tracks auf diesem Album
| # | Titel | Dauer | ||
|---|---|---|---|---|
| 1 | We sing to Him whose wisdom form'd the ear, sacred song for soprano, chorus of soprano & bass & continuo, Z. 199 | 2:19 | ||
| 1 | We sing to Him whose wisdom form'd the ear, sacred song for soprano, chorus of soprano & bass & continuo, Z. 199 | 2:19 | ||
| 2 | What Shall I Do? (from "Prophetess"), prelude and aria for soprano, Z. 627/18 | 1:57 | ||
| 2 | What Shall I Do? (from "Prophetess"), prelude and aria for soprano, Z. 627/18 | 1:57 | ||
| 3 | How long, great God?, sacred song for soprano & continuo, Z. 189 | 4:09 | ||
| 3 | How long, great God?, sacred song for soprano & continuo, Z. 189 | 4:09 | ||
| 4 | Not all my torments can your pity move, song, Z. 400 | 2:02 | ||
| 4 | Not all my torments can your pity move, song, Z. 400 | 2:02 | ||
| 5 | Music for a While (from "Oedipus"), song, Z. 583/2 | 3:32 | ||
| 5 | Music for a While (from "Oedipus"), song, Z. 583/2 | 3:32 | ||
| 6 | Fairest Isle (from "King Arthur"), aria for soprano, Z. 628/38 | 4:03 | ||
| 6 | Fairest Isle (from "King Arthur"), aria for soprano, Z. 628/38 | 4:03 | ||
| 7 | Hears not my Phyllis (The Knotting Song), song, Z. 371 | 2:31 | ||
| 7 | Hears not my Phyllis (The Knotting Song), song, Z. 371 | 2:31 | ||
| 8 | O let me weep ("The Plaint" from "The Fairy Queen"), aria, Z. 629/40 | 7:39 | ||
| 8 | O let me weep ("The Plaint" from "The Fairy Queen"), aria, Z. 629/40 | 7:39 | ||
| 9 | Ye tuneful muses (Welcome Ode for Charles II), for soloists, chorus & instruments, Z. 344 - With him he brings the partner of his throne | 4:51 | ||
| 9 | Ye tuneful muses (Welcome Ode for Charles II), for soloists, chorus & instruments, Z. 344 - With him he brings the partner of his throne | 4:51 | ||
| 10 | Ah! How sweet it is to love (from "Tyrannic Love"), song, Z. 613/2 | 2:02 | ||
| 10 | Ah! How sweet it is to love (from "Tyrannic Love"), song, Z. 613/2 | 2:02 | ||
| 11 | Celia has a thousand charms (from "The Rival Sisters, or, The Violence of Love"), song, Z. 609 | 2:30 | ||
| 11 | Celia has a thousand charms (from "The Rival Sisters, or, The Violence of Love"), song, Z. 609 | 2:30 | ||
| 12 | The fatal hour comes on apace, song, Z. 421 | 3:45 | ||
| 12 | The fatal hour comes on apace, song, Z. 421 | 3:45 | ||
| 13 | If music be the food of love, song, Z. 379 (3 settings) | 2:31 | ||
| 13 | If music be the food of love, song, Z. 379 (3 settings) | 2:31 | ||
| 14 | One charming night (from "The Fairy Queen"), alto aria, Z. 629/13 | 2:18 | ||
| 14 | One charming night (from "The Fairy Queen"), alto aria, Z. 629/13 | 2:18 | ||
| 15 | Since from my dear Astrea's sight (from "Prophetess"), aria for soprano, Z. 627/App2 | 3:30 | ||
| 15 | Since from my dear Astrea's sight (from "Prophetess"), aria for soprano, Z. 627/App2 | 3:30 | ||
| 16 | Welcome to all the pleasures (An Ode for St. Cecilia's Day), for soloists, chorus & instruments, Z. 339 | 4:03 | ||
| 16 | Welcome to all the pleasures (An Ode for St. Cecilia's Day), for soloists, chorus & instruments, Z. 339 | 4:03 | ||
| 17 | Now that the sun hath veiled his light, sacred song for soprano & continuo ("An Evening Hymn"), Z. 193 | 4:04 | ||
| 17 | Now that the sun hath veiled his light, sacred song for soprano & continuo ("An Evening Hymn"), Z. 193 | 4:04 |
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