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Biber: Battalia; Locke: The Tempest

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Artist Il Giardino Armonico
Bewertung von 5
Epoche Barock (1600-1749)
Label Teldec
Erschienen 1998



Klassik-Werke auf diesem Album

# Werk/Besetzung Dauer
1 Fanfares (6) for trumpets & timpani ("Reiterfanfaren," doubtful), ZWV 212: Fanfare in D major 2:11
2 Battalia, for 3 violins, 4 violas, 2 violini & keyboard in D major, C. 61 (B. XIV 122) 9:59
3 Sonata for violin & continuo No. 6 in C minor (Sonatae Violino Solo No. 6), C. 143: Passacaglia in C minor 4:55
4 Bird Fancyer's Delight, for sopranino recorder: Tune for the Woodlark 0:20
5 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184) 9:35
6 Ricarcare, for chamber ensemble 1:52
7 Partia, for 2 viola d'amore & continuo No. 7 in C minor (Harmonia Artificiosa-Ariosa No. 7), C. 68 17:07
8 Canons 4 in 2, canons (2) in 2 parts for 4 strings 0:48
9 The Tempest, suite for strings from semi-opera 20:28

Tracks auf diesem Album

# Titel Dauer
1 Fanfares (6) for trumpets & timpani ("Reiterfanfaren," doubtful), ZWV 212 - Fanfare in D major 2:11
1 Fanfares (6) for trumpets & timpani ("Reiterfanfaren," doubtful), ZWV 212 - Fanfare in D major 2:11
2 Battalia, for 3 violins, 4 violas, 2 violini & keyboard in D major, C. 61 (B. XIV 122) - Sonata: Allegro 1:52
2 Battalia, for 3 violins, 4 violas, 2 violini & keyboard in D major, C. 61 (B. XIV 122) - Sonata: Allegro 1:52
3 Battalia, for 3 violins, 4 violas, 2 violini & keyboard in D major, C. 61 (B. XIV 122) - Die liederliche Gesellschaft von allerley Humor (Allegro) :45
3 Battalia, for 3 violins, 4 violas, 2 violini & keyboard in D major, C. 61 (B. XIV 122) - Die liederliche Gesellschaft von allerley Humor (Allegro) :45
4 Battalia, for 3 violins, 4 violas, 2 violini & keyboard in D major, C. 61 (B. XIV 122) - Presto :26
4 Battalia, for 3 violins, 4 violas, 2 violini & keyboard in D major, C. 61 (B. XIV 122) - Presto :26
5 Battalia, for 3 violins, 4 violas, 2 violini & keyboard in D major, C. 61 (B. XIV 122) - Der Mars (The march/La marche) 1:03
5 Battalia, for 3 violins, 4 violas, 2 violini & keyboard in D major, C. 61 (B. XIV 122) - Der Mars (The march/La marche) 1:03
6 Battalia, for 3 violins, 4 violas, 2 violini & keyboard in D major, C. 61 (B. XIV 122) - Presto 1:01
6 Battalia, for 3 violins, 4 violas, 2 violini & keyboard in D major, C. 61 (B. XIV 122) - Presto 1:01
7 Battalia, for 3 violins, 4 violas, 2 violini & keyboard in D major, C. 61 (B. XIV 122) - Aria 2:39
7 Battalia, for 3 violins, 4 violas, 2 violini & keyboard in D major, C. 61 (B. XIV 122) - Aria 2:39
8 Battalia, for 3 violins, 4 violas, 2 violini & keyboard in D major, C. 61 (B. XIV 122) - Die Schlacht (The battle/La bataille) :42
8 Battalia, for 3 violins, 4 violas, 2 violini & keyboard in D major, C. 61 (B. XIV 122) - Die Schlacht (The battle/La bataille) :42
9 Battalia, for 3 violins, 4 violas, 2 violini & keyboard in D major, C. 61 (B. XIV 122) - Lamento der Verwundten Musquetirer 1:31
9 Battalia, for 3 violins, 4 violas, 2 violini & keyboard in D major, C. 61 (B. XIV 122) - Lamento der Verwundten Musquetirer 1:31
10 Sonata for violin & continuo No. 6 in C minor (Sonatae Violino Solo No. 6), C. 143 - Passacaglia in C minor 4:55
10 Sonata for violin & continuo No. 6 in C minor (Sonatae Violino Solo No. 6), C. 143 - Passacaglia in C minor 4:55
11 Bird Fancyer's Delight, for sopranino recorder - Tune for the Woodlark :20
11 Bird Fancyer's Delight, for sopranino recorder - Tune for the Woodlark :20
12 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184) - Allegro 1:46
12 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184) - Allegro 1:46
13 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184) - [Die] Nachtigal 1:22
13 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184) - [Die] Nachtigal 1:22
14 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184) - [Der] Cu Cu :42
14 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184) - [Der] Cu Cu :42
15 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184) - [Der] Fresch :42
15 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184) - [Der] Fresch :42
16 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184) - Adagio :25
16 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184) - Adagio :25
17 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184) - Die Henne und der Hahn (Allegro) :24
17 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184) - Die Henne und der Hahn (Allegro) :24
18 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184) - Presto :12
18 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184) - Presto :12
19 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184) - Adagio: D[ie] Vachtel :42
19 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184) - Adagio: D[ie] Vachtel :42
20 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184) - D[ie] Katz :25
20 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184) - D[ie] Katz :25
21 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184) - Musquetier Mars 1:14
21 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184) - Musquetier Mars 1:14
22 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184) - Allamande 1:41
22 Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146 (B. IV 184) - Allamande 1:41
23 Ricarcare, for chamber ensemble 1:52
23 Ricarcare, for chamber ensemble 1:52
24 Partia, for 2 viola d'amore & continuo No. 7 in C minor (Harmonia Artificiosa-Ariosa No. 7), C. 68 - Praeludium: Grave - Presto - Adagio - Presto - Adagio - Poco presto - Più presto - Adagio - Presto 3:24
24 Partia, for 2 viola d'amore & continuo No. 7 in C minor (Harmonia Artificiosa-Ariosa No. 7), C. 68 - Praeludium: Grave - Presto - Adagio - Presto - Adagio - Poco presto - Più presto - Adagio - Presto 3:24
25 Partia, for 2 viola d'amore & continuo No. 7 in C minor (Harmonia Artificiosa-Ariosa No. 7), C. 68 - Allamande 2:18
25 Partia, for 2 viola d'amore & continuo No. 7 in C minor (Harmonia Artificiosa-Ariosa No. 7), C. 68 - Allamande 2:18
26 Partia, for 2 viola d'amore & continuo No. 7 in C minor (Harmonia Artificiosa-Ariosa No. 7), C. 68 - Sarabande 1:42
26 Partia, for 2 viola d'amore & continuo No. 7 in C minor (Harmonia Artificiosa-Ariosa No. 7), C. 68 - Sarabande 1:42
27 Partia, for 2 viola d'amore & continuo No. 7 in C minor (Harmonia Artificiosa-Ariosa No. 7), C. 68 - Gigue: Presto 1:22
27 Partia, for 2 viola d'amore & continuo No. 7 in C minor (Harmonia Artificiosa-Ariosa No. 7), C. 68 - Gigue: Presto 1:22
28 Partia, for 2 viola d'amore & continuo No. 7 in C minor (Harmonia Artificiosa-Ariosa No. 7), C. 68 - Aria 1:35
28 Partia, for 2 viola d'amore & continuo No. 7 in C minor (Harmonia Artificiosa-Ariosa No. 7), C. 68 - Aria 1:35
29 Partia, for 2 viola d'amore & continuo No. 7 in C minor (Harmonia Artificiosa-Ariosa No. 7), C. 68 - Trezza :48
29 Partia, for 2 viola d'amore & continuo No. 7 in C minor (Harmonia Artificiosa-Ariosa No. 7), C. 68 - Trezza :48
30 Partia, for 2 viola d'amore & continuo No. 7 in C minor (Harmonia Artificiosa-Ariosa No. 7), C. 68 - Arietta variata 5:58
30 Partia, for 2 viola d'amore & continuo No. 7 in C minor (Harmonia Artificiosa-Ariosa No. 7), C. 68 - Arietta variata 5:58
31 Canons 4 in 2, canons (2) in 2 parts for 4 strings :48
31 Canons 4 in 2, canons (2) in 2 parts for 4 strings :48
32 The Tempest, suite for strings from semi-opera - [The First Musick] Introduction 1:03
32 The Tempest, suite for strings from semi-opera - [The First Musick] Introduction 1:03
33 The Tempest, suite for strings from semi-opera - [The First Musick] Galliard 1:30
33 The Tempest, suite for strings from semi-opera - [The First Musick] Galliard 1:30
34 The Tempest, suite for strings from semi-opera - [The First Musick] Gavot 1:06
34 The Tempest, suite for strings from semi-opera - [The First Musick] Gavot 1:06
35 The Tempest, suite for strings from semi-opera - [The Second Musick] Sarabrand 3:02
35 The Tempest, suite for strings from semi-opera - [The Second Musick] Sarabrand 3:02
36 The Tempest, suite for strings from semi-opera - [The Second Musick] Lilk :54
36 The Tempest, suite for strings from semi-opera - [The Second Musick] Lilk :54
37 The Tempest, suite for strings from semi-opera - Curtain Tune 5:19
37 The Tempest, suite for strings from semi-opera - Curtain Tune 5:19
38 The Tempest, suite for strings from semi-opera - First Act Tune: Rustick Air 1:18
38 The Tempest, suite for strings from semi-opera - First Act Tune: Rustick Air 1:18
39 The Tempest, suite for strings from semi-opera - The Second Act Tune: Minoit 1:32
39 The Tempest, suite for strings from semi-opera - The Second Act Tune: Minoit 1:32
40 The Tempest, suite for strings from semi-opera - The Third Act Tune: Corant 1:05
40 The Tempest, suite for strings from semi-opera - The Third Act Tune: Corant 1:05
41 The Tempest, suite for strings from semi-opera - The Fourth Act Tune: A Martial Jigge 1:43
41 The Tempest, suite for strings from semi-opera - The Fourth Act Tune: A Martial Jigge 1:43
42 The Tempest, suite for strings from semi-opera - The Conclusion: A Canon 4 in 2 1:56
42 The Tempest, suite for strings from semi-opera - The Conclusion: A Canon 4 in 2 1:56

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