Howard Hanson Conducts Howard Hanson

Artist	Howard Hanson
Bewertung
Epoche	Modern (1910-1949)
Label	Mercury
Erschienen	2005

Klassik-Werke auf diesem Album

#		Werk/Besetzung		Dauer
1		Merry Mount, suite from the opera, Op. 31		15:34
		Komponist: Howard Hanson Dirigent: Howard Hanson Orchester: Eastman-Rochester Orchestra and Chorus Musikalische Leitung: Harold Lawrence
2		Mosaics for orchestra		12:45
		Komponist: Howard Hanson Dirigent: Howard Hanson Orchester: Eastman-Rochester Orchestra and Chorus Musikalische Leitung: Harold Lawrence
3		For the First Time, suite for orchestra		20:28
		Komponist: Howard Hanson Dirigent: Howard Hanson Orchester: Eastman Philharmonia Musikalische Leitung: Harold Lawrence
4		Concerto for piano & orchestra in G, Op 36		20:13
		Komponist: Howard Hanson Dirigent: Howard Hanson Orchester: Eastman-Rochester Orchestra and Chorus Piano, Klavier: Alfred Mouledouos
5		Howard Hanson: The Composer Talks		78:26
		Komponist: Howard Hanson
6		Symphony No. 1 in E Minor, Op 22 "Nordic"		26:40
		Komponist: Howard Hanson Dirigent: Howard Hanson Orchester: Eastman-Rochester Orchestra and Chorus Musikalische Leitung: Harold Lawrence
7		Symphony No. 2 ("Romantic"), Op. 30		27:53
		Komponist: Howard Hanson Dirigent: Howard Hanson Orchester: Eastman-Rochester Orchestra and Chorus Musikalische Leitung: Harold Lawrence
8		Song of Democracy for chorus & orchestra, Op 44		12:03
		Komponist: Howard Hanson Dirigent: Howard Hanson Chor: Eastman School Chorus Orchester: Eastman-Rochester Orchestra and Chorus Musikalische Leitung: Harold Lawrence Regisseur: Dr. Herman H. Genhart
9		Symphony No. 3, Op 33		33:12
		Komponist: Howard Hanson Dirigent: Howard Hanson Orchester: Eastman-Rochester Orchestra and Chorus Musikalische Leitung: Harold Lawrence
10		Elegy in Memory of Serge Koussevitsky for orchestra, Op 44		11:21
		Komponist: Howard Hanson Dirigent: Howard Hanson Orchester: Eastman-Rochester Orchestra and Chorus Musikalische Leitung: Harold Lawrence
11		Lament for Beowulf for chorus & orchestra, Op. 25		17:38
		Komponist: Howard Hanson Dirigent: Howard Hanson Chor: Eastman School Chorus Orchester: Eastman-Rochester Orchestra and Chorus Musikalische Leitung: Harold Lawrence Regisseur: Dr. Herman H. Genhart

Tracks auf diesem Album

#		Titel		Dauer
1		Merry Mount, suite from the opera, Op. 31 - 1. Overture		2:45
1		Merry Mount, suite from the opera, Op. 31 - 1. Overture		2:45
2		Merry Mount, suite from the opera, Op. 31 - 2. Children's Dance		1:45
2		Merry Mount, suite from the opera, Op. 31 - 2. Children's Dance		1:45
3		Merry Mount, suite from the opera, Op. 31 - 3. Love Duet		4:26
3		Merry Mount, suite from the opera, Op. 31 - 3. Love Duet		4:26
4		Merry Mount, suite from the opera, Op. 31 - 4. Prelude to Act 2 and Maypole Dances		6:38
4		Merry Mount, suite from the opera, Op. 31 - 4. Prelude to Act 2 and Maypole Dances		6:38
5		Mosaics for orchestra		12:45
5		Mosaics for orchestra		12:45
6		For the First Time, suite for orchestra - 1. Bells		1:42
6		For the First Time, suite for orchestra - 1. Bells		1:42
7		For the First Time, suite for orchestra - 2. Tamara and Peter Bolshoi		:56
7		For the First Time, suite for orchestra - 2. Tamara and Peter Bolshoi		:56
8		For the First Time, suite for orchestra - 3. Deserted House		2:21
8		For the First Time, suite for orchestra - 3. Deserted House		2:21
9		For the First Time, suite for orchestra - 4. Eccentric Clock		:56
9		For the First Time, suite for orchestra - 4. Eccentric Clock		:56
10		For the First Time, suite for orchestra - 5. Deep Forest		2:40
10		For the First Time, suite for orchestra - 5. Deep Forest		2:40
11		For the First Time, suite for orchestra - 6. Clowns		1:06
11		For the First Time, suite for orchestra - 6. Clowns		1:06
12		For the First Time, suite for orchestra - 7. Dance		1:39
12		For the First Time, suite for orchestra - 7. Dance		1:39
13		For the First Time, suite for orchestra - 8. Serious Conversations		1:01
13		For the First Time, suite for orchestra - 8. Serious Conversations		1:01
14		For the First Time, suite for orchestra - 9. Kikimora		1:16
14		For the First Time, suite for orchestra - 9. Kikimora		1:16
15		For the First Time, suite for orchestra - 10. Mist		2:30
15		For the First Time, suite for orchestra - 10. Mist		2:30
16		For the First Time, suite for orchestra - 11. Fireworks		:55
16		For the First Time, suite for orchestra - 11. Fireworks		:55
17		For the First Time, suite for orchestra - 12. Dreams		3:26
17		For the First Time, suite for orchestra - 12. Dreams		3:26
18		Concerto for piano & orchestra in G, Op 36 - 1. Lento molto and molto tranquillo		8:14
18		Concerto for piano & orchestra in G, Op 36 - 1. Lento molto and molto tranquillo		8:14
19		Concerto for piano & orchestra in G, Op 36 - 2. Allegro molto ritmico		2:38
19		Concerto for piano & orchestra in G, Op 36 - 2. Allegro molto ritmico		2:38
20		Concerto for piano & orchestra in G, Op 36 - 3. Andante molto espressivo		5:12
20		Concerto for piano & orchestra in G, Op 36 - 3. Andante molto espressivo		5:12
21		Concerto for piano & orchestra in G, Op 36 - 4. Allegro giocoso		4:09
21		Concerto for piano & orchestra in G, Op 36 - 4. Allegro giocoso		4:09
22		Howard Hanson: The Composer Talks - Introduction: the four orchestral colours		3:26
22		Howard Hanson: The Composer Talks - Introduction: the four orchestral colours		3:26
23		Howard Hanson: The Composer Talks - Merry Mount Suite. How does a composer write for the symphony orchestra? Pitch spectrum and colours		8:05
23		Howard Hanson: The Composer Talks - Merry Mount Suite. How does a composer write for the symphony orchestra? Pitch spectrum and colours		8:05
24		Howard Hanson: The Composer Talks - Merry Mount Suite. How does a composer write for the symphony orchestra? Pitch spectrum and colours		4:53
24		Howard Hanson: The Composer Talks - Merry Mount Suite. How does a composer write for the symphony orchestra? Pitch spectrum and colours		4:53
25		Howard Hanson: The Composer Talks - Merry Mount Suite. How does a composer write for the symphony orchestra? Pitch spectrum and colours		2:00
25		Howard Hanson: The Composer Talks - Merry Mount Suite. How does a composer write for the symphony orchestra? Pitch spectrum and colours		2:00
26		Howard Hanson: The Composer Talks - Merry Mount Suite. How does a composer write for the symphony orchestra? Pitch spectrum and colours		6:20
26		Howard Hanson: The Composer Talks - Merry Mount Suite. How does a composer write for the symphony orchestra? Pitch spectrum and colours		6:20
27		Howard Hanson: The Composer Talks - Merry Mount Suite. How does a composer write for the symphony orchestra? Pitch spectrum and colours		9:14
27		Howard Hanson: The Composer Talks - Merry Mount Suite. How does a composer write for the symphony orchestra? Pitch spectrum and colours		9:14
28		Howard Hanson: The Composer Talks - Mosaics. How the colours of music influence musical form in the composer's mind. Part 1		6:18
28		Howard Hanson: The Composer Talks - Mosaics. How the colours of music influence musical form in the composer's mind. Part 1		6:18
29		Howard Hanson: The Composer Talks - Mosaics. How the colours of music influence musical form in the composer's mind. Part 2		2:08
29		Howard Hanson: The Composer Talks - Mosaics. How the colours of music influence musical form in the composer's mind. Part 2		2:08
30		Howard Hanson: The Composer Talks - Mosaics. How the colours of music influence musical form in the composer's mind. Part 3		4:25
30		Howard Hanson: The Composer Talks - Mosaics. How the colours of music influence musical form in the composer's mind. Part 3		4:25
31		Howard Hanson: The Composer Talks - Mosaics. How the colours of music influence musical form in the composer's mind. Part 4		2:50
31		Howard Hanson: The Composer Talks - Mosaics. How the colours of music influence musical form in the composer's mind. Part 4		2:50
32		Howard Hanson: The Composer Talks - Mosaics. How the colours of music influence musical form in the composer's mind. Part 5		3:24
32		Howard Hanson: The Composer Talks - Mosaics. How the colours of music influence musical form in the composer's mind. Part 5		3:24
33		Howard Hanson: The Composer Talks - Mosaics. How the colours of music influence musical form in the composer's mind. Part 6		5:28
33		Howard Hanson: The Composer Talks - Mosaics. How the colours of music influence musical form in the composer's mind. Part 6		5:28
34		Howard Hanson: The Composer Talks - For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions		4:02
34		Howard Hanson: The Composer Talks - For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions		4:02
35		Howard Hanson: The Composer Talks - For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions		1:14
35		Howard Hanson: The Composer Talks - For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions		1:14
36		Howard Hanson: The Composer Talks - For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions		1:42
36		Howard Hanson: The Composer Talks - For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions		1:42
37		Howard Hanson: The Composer Talks - For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions		:52
37		Howard Hanson: The Composer Talks - For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions		:52
38		Howard Hanson: The Composer Talks - For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions		1:03
38		Howard Hanson: The Composer Talks - For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions		1:03
39		Howard Hanson: The Composer Talks - For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions		1:00
39		Howard Hanson: The Composer Talks - For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions		1:00
40		Howard Hanson: The Composer Talks - For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions		1:22
40		Howard Hanson: The Composer Talks - For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions		1:22
41		Howard Hanson: The Composer Talks - For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions		1:44
41		Howard Hanson: The Composer Talks - For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions		1:44
42		Howard Hanson: The Composer Talks - For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions		1:50
42		Howard Hanson: The Composer Talks - For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions		1:50
43		Howard Hanson: The Composer Talks - For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions		1:18
43		Howard Hanson: The Composer Talks - For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions		1:18
44		Howard Hanson: The Composer Talks - For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions		1:17
44		Howard Hanson: The Composer Talks - For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions		1:17
45		Howard Hanson: The Composer Talks - For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions		:52
45		Howard Hanson: The Composer Talks - For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions		:52
46		Howard Hanson: The Composer Talks - For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions		1:39
46		Howard Hanson: The Composer Talks - For The First Time. Musical sound. Using the tonal vocabulary of music to describe the impressions		1:39
47		Symphony No. 1 in E Minor, Op 22 "Nordic" - 1. Andante solonne - Allegro con forza		11:32
47		Symphony No. 1 in E Minor, Op 22 "Nordic" - 1. Andante solonne - Allegro con forza		11:32
48		Symphony No. 1 in E Minor, Op 22 "Nordic" - 2. Andante teneramente, con semplicità		5:44
48		Symphony No. 1 in E Minor, Op 22 "Nordic" - 2. Andante teneramente, con semplicità		5:44
49		Symphony No. 1 in E Minor, Op 22 "Nordic" - 3. Allegro con fuoco		9:24
49		Symphony No. 1 in E Minor, Op 22 "Nordic" - 3. Allegro con fuoco		9:24
50		Symphony No. 2 ("Romantic"), Op. 30 - 1. Adagio - Allegro moderato		13:58
50		Symphony No. 2 ("Romantic"), Op. 30 - 1. Adagio - Allegro moderato		13:58
51		Symphony No. 2 ("Romantic"), Op. 30 - 2. Andante con tenerezza		6:36
51		Symphony No. 2 ("Romantic"), Op. 30 - 2. Andante con tenerezza		6:36
52		Symphony No. 2 ("Romantic"), Op. 30 - 3. Allegro con brio		7:19
52		Symphony No. 2 ("Romantic"), Op. 30 - 3. Allegro con brio		7:19
53		Song of Democracy for chorus & orchestra, Op 44		12:03
53		Song of Democracy for chorus & orchestra, Op 44		12:03
54		Symphony No. 3, Op 33 - 1. Andante lamentando		9:59
54		Symphony No. 3, Op 33 - 1. Andante lamentando		9:59
55		Symphony No. 3, Op 33 - 2. Andante tranquillo		7:52
55		Symphony No. 3, Op 33 - 2. Andante tranquillo		7:52
56		Symphony No. 3, Op 33 - 3. Tempo scherzando		5:45
56		Symphony No. 3, Op 33 - 3. Tempo scherzando		5:45
57		Symphony No. 3, Op 33 - 4. Largamente e pesante		9:36
57		Symphony No. 3, Op 33 - 4. Largamente e pesante		9:36
58		Elegy in Memory of Serge Koussevitsky for orchestra, Op 44		11:21
58		Elegy in Memory of Serge Koussevitsky for orchestra, Op 44		11:21
59		Lament for Beowulf for chorus & orchestra, Op. 25		17:38
59		Lament for Beowulf for chorus & orchestra, Op. 25		17:38

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