Responses to Ives
0
TickIt!
| Artist | Heather O'Donnell |
| Bewertung | |
| Epoche | () |
| Label | Mode Records |
| Erschienen | 2009 |
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Tracks auf diesem Album
| # | Titel | Dauer | ||
|---|---|---|---|---|
| 1 | Study No. 21: Some Southpaw Pitching, etude for piano, S. 105 (K. 3B17) | 2:17 | ||
| 2 | The missing nail at the river, for piano & toy piano | 5:55 | ||
| 3 | Set of Five Take-Offs, for piano, S. 122 (K. 3B16) - 1. The Seen and Unseen? | 2:37 | ||
| 4 | Set of Five Take-Offs, for piano, S. 122 (K. 3B16) - 2. Rough and Ready et al. | 2:46 | ||
| 5 | Set of Five Take-Offs, for piano, S. 122 (K. 3B16) - 3. Song Without (Good) Words | 3:16 | ||
| 6 | Set of Five Take-Offs, for piano, S. 122 (K. 3B16) - 4. Scene Episode | 2:25 | ||
| 7 | Set of Five Take-Offs, for piano, S. 122 (K. 3B16) - 5. Bad Resolutions and Good WAN! | :58 | ||
| 8 | Song of Myself, for piano | 10:05 | ||
| 9 | Four Transcriptions from "Emerson", for piano, S. 123 (K. 3B21) - 2. Moderato | 3:53 | ||
| 10 | Essay (after a sonata), for piano | 11:35 | ||
| 11 | Four Transcriptions from "Emerson", for piano, S. 123 (K. 3B21) - 3. Largo | 2:39 | ||
| 12 | Study No. 9: The Anti-Abolitionist Riots in the 1830s & 1840s, for piano, S. 97 (K. 3B17) | 3:19 | ||
| 13 | The Celestial Potato Fields, for chorus | 11:07 | ||
| 14 | Burlesque Harmonizations of "London Bridge", for organ (or piano), S. 428 (K. 7C5) | 1:01 | ||
| 15 | And Tomorrow..., for piano & electronics | 5:36 |
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