The Harry Partch Collection, Vol. 3

Artist	Harry Partch
Bewertung
Epoche	Modern (1910-1949)
Label	New World Records
Erschienen	1997

Klassik-Werke auf diesem Album

#		Werk/Besetzung		Dauer
1		The Dreamer That Remains - A Study in Loving, film score for voices, chorus & 15 Partch instruments		10:35
		Komponist: Harry Partch Gitarre: Harry Partch Stimmen: Harry Partch Ensemble, Besetzung: Harry Partch gesprochenes Wort, Sprechteil: Harry Partch Marimba: Danlee Mitchell harmonischer Kanon: Danlee Mitchell Kithara: Danlee Mitchell Nebelkammer-Becken, Nebelkammerwannen: Emil Richards Marimba Eroica: Thomas Siwe Trompete: Thomas Knox Schlagzeug, Perkussion: William Parsons Klarinette: Eddie Allen Trommeln: Eddie Allen Stimmen: Janet Campbell Marimba: Jonathan M. Szanto Mbira, Ostafrikanisches Lamellophon: Jonathan M. Szanto Ektara: Jonathan M. Szanto Ensemble, Besetzung: Harry Partch Ensemble harmonischer Kanon: Dennis Dunn Stimmen: Bruce Foote Kithara: Michael Ranta Chromelodeon: Andru Donalds Chromelodeon: James Weaver Stimmen: Mark Hoffmann harmonischer Kanon: Mark Johnson Sopranist: Freda Pierce Solist: Freda Pierce Tuba: Aaron Johnson Stimmen: Joel Klein Chromelodeon: Thomas Turner harmonischer Kanon: Dwyane Thomas Trompete: Cecil Bridgewater Dirigent: Jack Logan Dirigent: Jack Logan Sopransaxophon: Maxx Murray Violine, Geige: Mark Cleghorn Stimmen: Jack Bert Stimmen: Jeff Foote Gitarre: Adrienne Kole Streichbaß: Edward Krolick Posaune: William Brahms Chor: Alexis Glatly Chor: Katherine Bjornson Stimmen: Patrick Ann Eichelberger Stimmen: Coryl Crandall Stimmen: Betty Zinser Stimmen: Diamanda Tomaras Nebelkammer-Becken, Nebelkammerwannen: Thomas Wardlow Chromelodeon: Francis Thumm Stimmen: Margaret Sprehe Posaune: Melaniusz Gienko Stimmen: Joan Platt Pikkolo, Piccoloflöte: Frank Bowen Chor: Michael Crosier Baßklarinette: John Ginther Kürbis, Guiro: Ron Caruso Streichbaß: Norbert Cieslewicz Marimba: Michael Combs Trompete: Kent Hermsmeyer Stimmen: Helen Palmquist Marimba Eroica: James Stutsman Viola, Bratsche: Howard Osborn Viola, Bratsche: David Dunn harmonischer Kanon: Jonathan Glasier Cello: Elizabeth Krohne Trompete: Michael Esselstrom Stimmen: Keith Davidson Kithara: Lyndel Davis Stimmen: Elizabeth Hiller Mbira, Ostafrikanisches Lamellophon: Eucal Blossom Dirigent: John Garvey Trommeln: James Vandament Marimba Eroica: Arthur Schildbach Marimba: Dorcas Ann Newton Stimmen: Anthony Zeppetella Stimmen: Barbara Baker Pikkolo, Piccoloflöte: Robert Ruckrigel Violine, Geige: Uni Thomas
2		Rotate the Body in All Its Planes, music for an exhibition of gymnasts for soprano, chorus, traditional & Partch instruments		8:58
		Komponist: Harry Partch Gitarre: Harry Partch Stimmen: Harry Partch Ensemble, Besetzung: Harry Partch Dirigent: John Garvey Marimba: Danlee Mitchell harmonischer Kanon: Danlee Mitchell Kithara: Danlee Mitchell Sopranist: Freda Pierce Nebelkammer-Becken, Nebelkammerwannen: Emil Richards Marimba Eroica: Thomas Siwe Trompete: Thomas Knox Schlagzeug, Perkussion: William Parsons Klarinette: Eddie Allen Trommeln: Eddie Allen Stimmen: Janet Campbell Marimba: Jonathan M. Szanto Mbira, Ostafrikanisches Lamellophon: Jonathan M. Szanto Ektara: Jonathan M. Szanto Ensemble, Besetzung: Harry Partch Ensemble harmonischer Kanon: Dennis Dunn Stimmen: Bruce Foote Kithara: Michael Ranta Chromelodeon: Andru Donalds Dirigent: John Garvey Chromelodeon: James Weaver Stimmen: Mark Hoffmann harmonischer Kanon: Mark Johnson Sopranist: Freda Pierce Solist: Freda Pierce Tuba: Aaron Johnson Stimmen: Joel Klein Chromelodeon: Thomas Turner harmonischer Kanon: Dwyane Thomas Trompete: Cecil Bridgewater Dirigent: Jack Logan Sopransaxophon: Maxx Murray Violine, Geige: Mark Cleghorn Stimmen: Jack Bert Stimmen: Jeff Foote Gitarre: Adrienne Kole Streichbaß: Edward Krolick Posaune: William Brahms Chor: Alexis Glatly Chor: Katherine Bjornson Stimmen: Patrick Ann Eichelberger Stimmen: Coryl Crandall Stimmen: Betty Zinser Stimmen: Diamanda Tomaras Nebelkammer-Becken, Nebelkammerwannen: Thomas Wardlow Chromelodeon: Francis Thumm Stimmen: Margaret Sprehe Posaune: Melaniusz Gienko Stimmen: Joan Platt Pikkolo, Piccoloflöte: Frank Bowen Chor: Michael Crosier Baßklarinette: John Ginther Kürbis, Guiro: Ron Caruso Streichbaß: Norbert Cieslewicz Marimba: Michael Combs Trompete: Kent Hermsmeyer Stimmen: Helen Palmquist Marimba Eroica: James Stutsman Viola, Bratsche: Howard Osborn Viola, Bratsche: David Dunn harmonischer Kanon: Jonathan Glasier Cello: Elizabeth Krohne Trompete: Michael Esselstrom Stimmen: Keith Davidson Kithara: Lyndel Davis Stimmen: Elizabeth Hiller Mbira, Ostafrikanisches Lamellophon: Eucal Blossom Dirigent: John Garvey Trommeln: James Vandament Marimba Eroica: Arthur Schildbach Marimba: Dorcas Ann Newton Stimmen: Anthony Zeppetella Stimmen: Barbara Baker Pikkolo, Piccoloflöte: Robert Ruckrigel Violine, Geige: Uni Thomas
3		Windsong, film score (revised as "Daphne of the Dunes")		11:44
		Komponist: Harry Partch Gitarre: Harry Partch Marimba: Harry Partch Stimmen: Harry Partch Chromelodeon: Harry Partch Nebelkammer-Becken, Nebelkammerwannen: Harry Partch harmonischer Kanon: Harry Partch Kithara: Harry Partch Marimba: Danlee Mitchell harmonischer Kanon: Danlee Mitchell Kithara: Danlee Mitchell Nebelkammer-Becken, Nebelkammerwannen: Emil Richards Marimba Eroica: Thomas Siwe Trompete: Thomas Knox Schlagzeug, Perkussion: William Parsons Klarinette: Eddie Allen Trommeln: Eddie Allen Stimmen: Janet Campbell Marimba: Jonathan M. Szanto Mbira, Ostafrikanisches Lamellophon: Jonathan M. Szanto Ektara: Jonathan M. Szanto harmonischer Kanon: Dennis Dunn Stimmen: Bruce Foote Kithara: Michael Ranta Chromelodeon: Andru Donalds Chromelodeon: James Weaver Stimmen: Mark Hoffmann harmonischer Kanon: Mark Johnson Sopranist: Freda Pierce Solist: Freda Pierce Tuba: Aaron Johnson Stimmen: Joel Klein Chromelodeon: Thomas Turner harmonischer Kanon: Dwyane Thomas Trompete: Cecil Bridgewater Dirigent: Jack Logan Sopransaxophon: Maxx Murray Violine, Geige: Mark Cleghorn Stimmen: Jack Bert Stimmen: Jeff Foote Gitarre: Adrienne Kole Streichbaß: Edward Krolick Posaune: William Brahms Chor: Alexis Glatly Chor: Katherine Bjornson Stimmen: Patrick Ann Eichelberger Stimmen: Coryl Crandall Stimmen: Betty Zinser Stimmen: Diamanda Tomaras Nebelkammer-Becken, Nebelkammerwannen: Thomas Wardlow Chromelodeon: Francis Thumm Stimmen: Margaret Sprehe Posaune: Melaniusz Gienko Stimmen: Joan Platt Pikkolo, Piccoloflöte: Frank Bowen Chor: Michael Crosier Baßklarinette: John Ginther Kürbis, Guiro: Ron Caruso Streichbaß: Norbert Cieslewicz Marimba: Michael Combs Trompete: Kent Hermsmeyer Stimmen: Helen Palmquist Marimba Eroica: James Stutsman Viola, Bratsche: Howard Osborn Viola, Bratsche: David Dunn harmonischer Kanon: Jonathan Glasier Cello: Elizabeth Krohne Trompete: Michael Esselstrom Stimmen: Keith Davidson Kithara: Lyndel Davis Stimmen: Elizabeth Hiller Mbira, Ostafrikanisches Lamellophon: Eucal Blossom Dirigent: John Garvey Trommeln: James Vandament Marimba Eroica: Arthur Schildbach Marimba: Dorcas Ann Newton Stimmen: Anthony Zeppetella Stimmen: Barbara Baker Pikkolo, Piccoloflöte: Robert Ruckrigel Violine, Geige: Uni Thomas
4		Water! Water!, intermission for voices, choruses, original & Partch instruments (considered unfinished by Partch)		37:53
		Komponist: Harry Partch Gitarre: Harry Partch Stimmen: Harry Partch Dirigent: John Garvey Ensemble, Besetzung: Gate 5 Ensemble of the World Marimba: Danlee Mitchell harmonischer Kanon: Danlee Mitchell Kithara: Danlee Mitchell Nebelkammer-Becken, Nebelkammerwannen: Emil Richards Marimba Eroica: Thomas Siwe Trompete: Thomas Knox Schlagzeug, Perkussion: William Parsons Klarinette: Eddie Allen Trommeln: Eddie Allen Stimmen: Janet Campbell Gesang: Jane Daily Gesang: Cynthia Schwartz Marimba: Jonathan M. Szanto Mbira, Ostafrikanisches Lamellophon: Jonathan M. Szanto Ektara: Jonathan M. Szanto harmonischer Kanon: Dennis Dunn Chor: Water Water Cast Ensemble Stimmen: Bruce Foote Kithara: Michael Ranta Chromelodeon: Andru Donalds Dirigent: John Garvey Chromelodeon: James Weaver Stimmen: Mark Hoffmann harmonischer Kanon: Mark Johnson Sopranist: Freda Pierce Solist: Freda Pierce Tuba: Aaron Johnson Stimmen: Joel Klein Ensemble, Besetzung: Gate 5 Ensemble Chromelodeon: Thomas Turner harmonischer Kanon: Dwyane Thomas Trompete: Cecil Bridgewater Dirigent: Jack Logan Sopransaxophon: Maxx Murray Violine, Geige: Mark Cleghorn Stimmen: Jack Bert Stimmen: Jeff Foote Gitarre: Adrienne Kole Streichbaß: Edward Krolick Posaune: William Brahms Chor: Alexis Glatly Chor: Katherine Bjornson Stimmen: Patrick Ann Eichelberger Stimmen: Coryl Crandall Stimmen: Betty Zinser Stimmen: Diamanda Tomaras Nebelkammer-Becken, Nebelkammerwannen: Thomas Wardlow Chromelodeon: Francis Thumm Stimmen: Margaret Sprehe Posaune: Melaniusz Gienko Stimmen: Joan Platt Pikkolo, Piccoloflöte: Frank Bowen Chor: Michael Crosier Baßklarinette: John Ginther Kürbis, Guiro: Ron Caruso Streichbaß: Norbert Cieslewicz Marimba: Michael Combs Trompete: Kent Hermsmeyer Stimmen: Helen Palmquist Marimba Eroica: James Stutsman Viola, Bratsche: Howard Osborn Viola, Bratsche: David Dunn harmonischer Kanon: Jonathan Glasier Cello: Elizabeth Krohne Trompete: Michael Esselstrom Stimmen: Keith Davidson Kithara: Lyndel Davis Stimmen: Elizabeth Hiller Mbira, Ostafrikanisches Lamellophon: Eucal Blossom Dirigent: John Garvey Trommeln: James Vandament Marimba Eroica: Arthur Schildbach Marimba: Dorcas Ann Newton Stimmen: Anthony Zeppetella Stimmen: Barbara Baker Pikkolo, Piccoloflöte: Robert Ruckrigel Violine, Geige: Uni Thomas

Tracks auf diesem Album

#		Titel		Dauer
1		The Dreamer That Remains - A Study in Loving, film score for voices, chorus & 15 Partch instruments		10:35
1		The Dreamer That Remains - A Study in Loving, film score for voices, chorus & 15 Partch instruments		10:35
2		Rotate the Body in All Its Planes, music for an exhibition of gymnasts for soprano, chorus, traditional & Partch instruments		8:58
2		Rotate the Body in All Its Planes, music for an exhibition of gymnasts for soprano, chorus, traditional & Partch instruments		8:58
3		Windsong, film score (revised as "Daphne of the Dunes")		11:44
3		Windsong, film score (revised as "Daphne of the Dunes")		11:44
4		Water! Water!, intermission for voices, choruses, original & Partch instruments (considered unfinished by Partch) - The Opening Prologue, and the Second Prologue, in which the instruments attack the Producer		3:00
4		Water! Water!, intermission for voices, choruses, original & Partch instruments (considered unfinished by Partch) - The Opening Prologue, and the Second Prologue, in which the instruments attack the Producer		3:00
5		Water! Water!, intermission for voices, choruses, original & Partch instruments (considered unfinished by Partch) - O What Could He Do But Pick Her Up?		4:04
5		Water! Water!, intermission for voices, choruses, original & Partch instruments (considered unfinished by Partch) - O What Could He Do But Pick Her Up?		4:04
6		Water! Water!, intermission for voices, choruses, original & Partch instruments (considered unfinished by Partch) - Witch for Water / Fugue on No. Wanda the Water Witch		5:59
6		Water! Water!, intermission for voices, choruses, original & Partch instruments (considered unfinished by Partch) - Witch for Water / Fugue on No. Wanda the Water Witch		5:59
7		Water! Water!, intermission for voices, choruses, original & Partch instruments (considered unfinished by Partch) - Santa Mystiana the Beautiful		2:42
7		Water! Water!, intermission for voices, choruses, original & Partch instruments (considered unfinished by Partch) - Santa Mystiana the Beautiful		2:42
8		Water! Water!, intermission for voices, choruses, original & Partch instruments (considered unfinished by Partch) - Dear Old Alabama		2:02
8		Water! Water!, intermission for voices, choruses, original & Partch instruments (considered unfinished by Partch) - Dear Old Alabama		2:02
9		Water! Water!, intermission for voices, choruses, original & Partch instruments (considered unfinished by Partch) - We Really Love Each Other, In 43 Whines to the Octave		1:41
9		Water! Water!, intermission for voices, choruses, original & Partch instruments (considered unfinished by Partch) - We Really Love Each Other, In 43 Whines to the Octave		1:41
10		Water! Water!, intermission for voices, choruses, original & Partch instruments (considered unfinished by Partch) - The baseball game is called on account of Rain!		3:17
10		Water! Water!, intermission for voices, choruses, original & Partch instruments (considered unfinished by Partch) - The baseball game is called on account of Rain!		3:17
11		Water! Water!, intermission for voices, choruses, original & Partch instruments (considered unfinished by Partch) - To Hell With the Game! Rain! Rain! The Highest Goodness Is Like Water		2:26
11		Water! Water!, intermission for voices, choruses, original & Partch instruments (considered unfinished by Partch) - To Hell With the Game! Rain! Rain! The Highest Goodness Is Like Water		2:26
12		Water! Water!, intermission for voices, choruses, original & Partch instruments (considered unfinished by Partch) - Ghosts, Undele, Oomph!		2:56
12		Water! Water!, intermission for voices, choruses, original & Partch instruments (considered unfinished by Partch) - Ghosts, Undele, Oomph!		2:56
13		Water! Water!, intermission for voices, choruses, original & Partch instruments (considered unfinished by Partch) - We'll Sue You for a Million!		3:03
13		Water! Water!, intermission for voices, choruses, original & Partch instruments (considered unfinished by Partch) - We'll Sue You for a Million!		3:03
14		Water! Water!, intermission for voices, choruses, original & Partch instruments (considered unfinished by Partch) - Do-lo-do-lo - doom! / Gone, Man, Gone!		4:55
14		Water! Water!, intermission for voices, choruses, original & Partch instruments (considered unfinished by Partch) - Do-lo-do-lo - doom! / Gone, Man, Gone!		4:55
15		Water! Water!, intermission for voices, choruses, original & Partch instruments (considered unfinished by Partch) - Eighth Epilogue - the Producer finally Silences the instruments / Final Epilogue. The highest goodn		1:48
15		Water! Water!, intermission for voices, choruses, original & Partch instruments (considered unfinished by Partch) - Eighth Epilogue - the Producer finally Silences the instruments / Final Epilogue. The highest goodn		1:48

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