The Unknown Ives, Vol. 2
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| Artist | Donald Berman |
| Bewertung | |
| Epoche | Modern (1910-1949) |
| Label | New World Records |
| Erschienen | 2004 |
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Tracks auf diesem Album
| # | Titel | Dauer | ||
|---|---|---|---|---|
| 1 | Varied Air and Variations, for piano, S. 124 (K. 3B20) | 5:27 | ||
| 1 | Varied Air and Variations, for piano, S. 124 (K. 3B20) | 5:27 | ||
| 2 | Waltz-Rondo, for piano, S. 125 (K. 3B18) | 5:47 | ||
| 2 | Waltz-Rondo, for piano, S. 125 (K. 3B18) | 5:47 | ||
| 3 | Invention in D, for piano in D major, S. 118 (K. 3B14) | 1:31 | ||
| 3 | Invention in D, for piano in D major, S. 118 (K. 3B14) | 1:31 | ||
| 4 | Study No. 1: Allegro, etude for piano, S. 90 (K. 3B17) (incomplete) | 1:01 | ||
| 4 | Study No. 1: Allegro, etude for piano, S. 90 (K. 3B17) (incomplete) | 1:01 | ||
| 5 | Study No. 2: Andante moderato-Allegro molto, etude for piano, S. 91 (K. 3B17) | 2:10 | ||
| 5 | Study No. 2: Andante moderato-Allegro molto, etude for piano, S. 91 (K. 3B17) | 2:10 | ||
| 6 | Storm and Distress, cadenza for piano (included in "Scherzo: Over the Pavements"), S. 82a | 1:41 | ||
| 6 | Storm and Distress, cadenza for piano (included in "Scherzo: Over the Pavements"), S. 82a | 1:41 | ||
| 7 | Study No. 11: Andante, etude for piano, S. 99 (K. 3B17) (incomplete) | 1:46 | ||
| 7 | Study No. 11: Andante, etude for piano, S. 99 (K. 3B17) (incomplete) | 1:46 | ||
| 8 | Impression of the St. Gaudens in Boston Common, for piano ("Black March"), S. x683iii | 7:10 | ||
| 8 | Impression of the St. Gaudens in Boston Common, for piano ("Black March"), S. x683iii | 7:10 | ||
| 9 | The Celestial Railroad, "take off" for piano, S. 116 (K. 3B19) | 8:07 | ||
| 9 | The Celestial Railroad, "take off" for piano, S. 116 (K. 3B19) | 8:07 | ||
| 10 | Minuetto, for piano ("Op. 4"), S. 119 (K. 3B1) | 2:28 | ||
| 10 | Minuetto, for piano ("Op. 4"), S. 119 (K. 3B1) | 2:28 | ||
| 11 | Study No. 4: Allegro moderato, etude for piano, S. 92 (K. 3B17) (incomplete) | :35 | ||
| 11 | Study No. 4: Allegro moderato, etude for piano, S. 92 (K. 3B17) (incomplete) | :35 | ||
| 12 | Study No. 5: Moderato con anima, etude for piano, S. 93 (K. 3B17) | 6:19 | ||
| 12 | Study No. 5: Moderato con anima, etude for piano, S. 93 (K. 3B17) | 6:19 | ||
| 13 | Quarter-Tone Pieces (3), for 2 pianos, S. 128 (K. 3C3) - I. Largo | 3:52 | ||
| 13 | Quarter-Tone Pieces (3), for 2 pianos, S. 128 (K. 3C3) - I. Largo | 3:52 | ||
| 14 | Quarter-Tone Pieces (3), for 2 pianos, S. 128 (K. 3C3) - II. Allegro | 3:23 | ||
| 14 | Quarter-Tone Pieces (3), for 2 pianos, S. 128 (K. 3C3) - II. Allegro | 3:23 | ||
| 15 | Quarter-Tone Pieces (3), for 2 pianos, S. 128 (K. 3C3) - III. Chorale | 4:38 | ||
| 15 | Quarter-Tone Pieces (3), for 2 pianos, S. 128 (K. 3C3) - III. Chorale | 4:38 | ||
| 16 | Fourth Fugue for piano | :58 | ||
| 16 | Fourth Fugue for piano | :58 | ||
| 17 | March No. 1 with "Year of Jubilee", march for piano, S. 109 (K. 3B4) | 2:35 | ||
| 17 | March No. 1 with "Year of Jubilee", march for piano, S. 109 (K. 3B4) | 2:35 | ||
| 18 | March No. 2 with "Son of a Gambolier", march for piano, S. 110 (K. 3B5) | 2:35 | ||
| 18 | March No. 2 with "Son of a Gambolier", march for piano, S. 110 (K. 3B5) | 2:35 | ||
| 19 | March No. 3 (III) with "Omega Lambda Chi", march for piano, S. 111 (K. 3B6) | 2:36 | ||
| 19 | March No. 3 (III) with "Omega Lambda Chi", march for piano, S. 111 (K. 3B6) | 2:36 | ||
| 20 | March in G & C with "See the Conquering Hero Comes", for piano, S. 114 (K. 3B11) | 2:12 | ||
| 20 | March in G & C with "See the Conquering Hero Comes", for piano, S. 114 (K. 3B11) | 2:12 | ||
| 21 | March: The Circus Band, for piano, S. 115 (K. 3B12) | 1:54 | ||
| 21 | March: The Circus Band, for piano, S. 115 (K. 3B12) | 1:54 | ||
| 22 | March No. 5 with "Annie Lisle", march for piano, S. 112 (K. 3B10) | 2:14 | ||
| 22 | March No. 5 with "Annie Lisle", march for piano, S. 112 (K. 3B10) | 2:14 | ||
| 23 | March No. 6 with "Here's to Good Old Yale", for piano, S. 113 (K. 3B13) | 2:34 | ||
| 23 | March No. 6 with "Here's to Good Old Yale", for piano, S. 113 (K. 3B13) | 2:34 |
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