Charles Ives: Three Quarter-Tone Pieces; Five Take-offs; Hallowe'en; Sunrise
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| Artist | Continuum |
| Bewertung | |
| Epoche | Modern (1910-1949) |
| Label | Naxos |
| Erschienen | 2005 |
Klassik-Werke auf diesem Album
Tracks auf diesem Album
| # | Titel | Dauer | ||
|---|---|---|---|---|
| 1 | The Housatonic at Stockbridge, song for voice & piano, S. 266 (K. 6B64d) | 3:25 | ||
| 1 | The Housatonic at Stockbridge, song for voice & piano, S. 266 (K. 6B64d) | 3:25 | ||
| 2 | Soliloquy, song for voice & piano, S. 352 (K. 6B43a) | :45 | ||
| 2 | Soliloquy, song for voice & piano, S. 352 (K. 6B43a) | :45 | ||
| 3 | On the Antipodes, song for voice & 2 pianos, S. 319 (K. 6B71) | 2:39 | ||
| 3 | On the Antipodes, song for voice & 2 pianos, S. 319 (K. 6B71) | 2:39 | ||
| 4 | The Gong on the Hook & Ladder or Firemen's Parade on Main Street for strings, piano & optional bell, S. 70 (K. 1C30) | 1:27 | ||
| 4 | The Gong on the Hook & Ladder or Firemen's Parade on Main Street for strings, piano & optional bell, S. 70 (K. 1C30) | 1:27 | ||
| 5 | Hallowe'en, for string quartet, piano & optional drum, S. 71 (K. 2B13) | 2:34 | ||
| 5 | Hallowe'en, for string quartet, piano & optional drum, S. 71 (K. 2B13) | 2:34 | ||
| 6 | In Re Con Moto et al., for string quartet, piano & optional drum, S. 72 (K. 2B18) | 3:03 | ||
| 6 | In Re Con Moto et al., for string quartet, piano & optional drum, S. 72 (K. 2B18) | 3:03 | ||
| 7 | Sunrise, song for voice, piano & violin, S. 365 (K. 6B77) | 5:34 | ||
| 7 | Sunrise, song for voice, piano & violin, S. 365 (K. 6B77) | 5:34 | ||
| 8 | Remembrance, for voice & piano, S. 332 (K. 6B62a) | :58 | ||
| 8 | Remembrance, for voice & piano, S. 332 (K. 6B62a) | :58 | ||
| 9 | Aeschylus and Sophocles, song for voice, piano & string quartet, S. 206 (K. 6B70) | 4:15 | ||
| 9 | Aeschylus and Sophocles, song for voice, piano & string quartet, S. 206 (K. 6B70) | 4:15 | ||
| 10 | Set of Five Take-Offs, for piano, S. 122 (K. 3B16) - The Seen and Unseen? (Sweet and Tough) | 3:00 | ||
| 10 | Set of Five Take-Offs, for piano, S. 122 (K. 3B16) - The Seen and Unseen? (Sweet and Tough) | 3:00 | ||
| 11 | Set of Five Take-Offs, for piano, S. 122 (K. 3B16) - Rough and Ready et al. and/or The Jumping Frog | 2:18 | ||
| 11 | Set of Five Take-Offs, for piano, S. 122 (K. 3B16) - Rough and Ready et al. and/or The Jumping Frog | 2:18 | ||
| 12 | Set of Five Take-Offs, for piano, S. 122 (K. 3B16) - Song Without (Good) Words | 4:05 | ||
| 12 | Set of Five Take-Offs, for piano, S. 122 (K. 3B16) - Song Without (Good) Words | 4:05 | ||
| 13 | Set of Five Take-Offs, for piano, S. 122 (K. 3B16) - Scene Episode | 2:15 | ||
| 13 | Set of Five Take-Offs, for piano, S. 122 (K. 3B16) - Scene Episode | 2:15 | ||
| 14 | Set of Five Take-Offs, for piano, S. 122 (K. 3B16) - Bad Resolutions and Good WAN! (Jan. 1, 1907) | 1:10 | ||
| 14 | Set of Five Take-Offs, for piano, S. 122 (K. 3B16) - Bad Resolutions and Good WAN! (Jan. 1, 1907) | 1:10 | ||
| 15 | Quarter-Tone Pieces (3), for 2 pianos, S. 128 (K. 3C3) - Largo | 4:04 | ||
| 15 | Quarter-Tone Pieces (3), for 2 pianos, S. 128 (K. 3C3) - Largo | 4:04 | ||
| 16 | Quarter-Tone Pieces (3), for 2 pianos, S. 128 (K. 3C3) - Allegro | 2:34 | ||
| 16 | Quarter-Tone Pieces (3), for 2 pianos, S. 128 (K. 3C3) - Allegro | 2:34 | ||
| 17 | Quarter-Tone Pieces (3), for 2 pianos, S. 128 (K. 3C3) - Chorale | 4:38 | ||
| 17 | Quarter-Tone Pieces (3), for 2 pianos, S. 128 (K. 3C3) - Chorale | 4:38 |
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