Debussy: Complete Chamber Music
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 | Artist | Chamber Music Society of Lincoln Center | 
| Bewertung |  | 
| Epoche | Modern (1910-1949) | 
| Label | Delos | 
| Erschienen | 2000 | 
Klassik-Werke auf diesem Album
Tracks auf diesem Album
| # |  | Titel |  | Dauer | 
|---|---|---|---|---|
| 1 |  | Rhapsodie for clarinet & piano (or orchestra), L. 116 |  | 8:36 | 
| 1 |  | Rhapsodie for clarinet & piano (or orchestra), L. 116 |  | 8:36 | 
| 2 |  | Petite pièce, for clarinet & piano (or orchestra), L. 120 |  | 1:30 | 
| 2 |  | Petite pièce, for clarinet & piano (or orchestra), L. 120 |  | 1:30 | 
| 3 |  | Sonata for cello & piano, L. 135 - 1. Prologue. Lent |  | 4:20 | 
| 3 |  | Sonata for cello & piano, L. 135 - 1. Prologue. Lent |  | 4:20 | 
| 4 |  | Sonata for cello & piano, L. 135 - 2. Serenade. Moderement Anime |  | 3:09 | 
| 4 |  | Sonata for cello & piano, L. 135 - 2. Serenade. Moderement Anime |  | 3:09 | 
| 5 |  | Sonata for cello & piano, L. 135 - 3. Finale. Anime |  | 3:46 | 
| 5 |  | Sonata for cello & piano, L. 135 - 3. Finale. Anime |  | 3:46 | 
| 6 |  | Sonate en trio, for flute, viola & harp, L. 137 - No. 1, Pastorale |  | 6:36 | 
| 6 |  | Sonate en trio, for flute, viola & harp, L. 137 - No. 1, Pastorale |  | 6:36 | 
| 7 |  | Sonate en trio, for flute, viola & harp, L. 137 - No. 2, Interlude |  | 5:29 | 
| 7 |  | Sonate en trio, for flute, viola & harp, L. 137 - No. 2, Interlude |  | 5:29 | 
| 8 |  | Sonate en trio, for flute, viola & harp, L. 137 - No. 3, Finale |  | 4:41 | 
| 8 |  | Sonate en trio, for flute, viola & harp, L. 137 - No. 3, Finale |  | 4:41 | 
| 9 |  | Syrinx, for solo flute, L. 129 |  | 2:23 | 
| 9 |  | Syrinx, for solo flute, L. 129 |  | 2:23 | 
| 10 |  | Sonata for violin & piano, L. 140 - No. 1, Allegro vivo |  | 4:50 | 
| 10 |  | Sonata for violin & piano, L. 140 - No. 1, Allegro vivo |  | 4:50 | 
| 11 |  | Sonata for violin & piano, L. 140 - No. 2, Intermede |  | 3:55 | 
| 11 |  | Sonata for violin & piano, L. 140 - No. 2, Intermede |  | 3:55 | 
| 12 |  | Sonata for violin & piano, L. 140 - No. 3, Finale |  | 4:15 | 
| 12 |  | Sonata for violin & piano, L. 140 - No. 3, Finale |  | 4:15 | 
| 13 |  | String Quartet, L. 85 (Op. 10) - Animé et très decidé |  | 6:08 | 
| 13 |  | String Quartet, L. 85 (Op. 10) - Animé et très decidé |  | 6:08 | 
| 14 |  | String Quartet, L. 85 (Op. 10) - Assez vif et bien rythmé |  | 3:50 | 
| 14 |  | String Quartet, L. 85 (Op. 10) - Assez vif et bien rythmé |  | 3:50 | 
| 15 |  | String Quartet, L. 85 (Op. 10) - Andantino, doucement espressif |  | 7:49 | 
| 15 |  | String Quartet, L. 85 (Op. 10) - Andantino, doucement espressif |  | 7:49 | 
| 16 |  | String Quartet, L. 85 (Op. 10) - Très modéré - Très mouvemente |  | 6:58 | 
| 16 |  | String Quartet, L. 85 (Op. 10) - Très modéré - Très mouvemente |  | 6:58 | 
| 17 |  | Piano Trio, L. 3 - Andantino con moto allegro |  | 9:14 | 
| 17 |  | Piano Trio, L. 3 - Andantino con moto allegro |  | 9:14 | 
| 18 |  | Piano Trio, L. 3 - Scherzo-Intermezzo: Moderato con allegro |  | 3:19 | 
| 18 |  | Piano Trio, L. 3 - Scherzo-Intermezzo: Moderato con allegro |  | 3:19 | 
| 19 |  | Piano Trio, L. 3 - Andante espressivo |  | 4:30 | 
| 19 |  | Piano Trio, L. 3 - Andante espressivo |  | 4:30 | 
| 20 |  | Piano Trio, L. 3 - Finale: Appassionato |  | 5:56 | 
| 20 |  | Piano Trio, L. 3 - Finale: Appassionato |  | 5:56 | 
| 21 |  | Nocturne and Scherzo, for cello & piano, L. 26 |  | 6:16 | 
| 21 |  | Nocturne and Scherzo, for cello & piano, L. 26 |  | 6:16 | 
| 22 |  | En blanc et noir, for 2 pianos, L. 134 - No. 1, (Poetic epigraph: Qui reste a sa place) (Barbier & Carre) |  | 4:30 | 
| 22 |  | En blanc et noir, for 2 pianos, L. 134 - No. 1, (Poetic epigraph: Qui reste a sa place) (Barbier & Carre) |  | 4:30 | 
| 23 |  | En blanc et noir, for 2 pianos, L. 134 - No. 2, (Poetic epigraph: Prince, porte soit des serfs Eolus) (Villon) |  | 6:47 | 
| 23 |  | En blanc et noir, for 2 pianos, L. 134 - No. 2, (Poetic epigraph: Prince, porte soit des serfs Eolus) (Villon) |  | 6:47 | 
| 24 |  | En blanc et noir, for 2 pianos, L. 134 - No. 3, (Poetic epigraph: Yver, vous n'estes qu'un vilain) (Charles d'Orleans) |  | 4:23 | 
| 24 |  | En blanc et noir, for 2 pianos, L. 134 - No. 3, (Poetic epigraph: Yver, vous n'estes qu'un vilain) (Charles d'Orleans) |  | 4:23 | 
| 25 |  | Épigraphes antiques (6), for piano, 2 or 4 hands (or orchestra), L. 131 - No. 1, "Pour invoquer Pan" |  | 2:20 | 
| 25 |  | Épigraphes antiques (6), for piano, 2 or 4 hands (or orchestra), L. 131 - No. 1, "Pour invoquer Pan" |  | 2:20 | 
| 26 |  | Épigraphes antiques (6), for piano, 2 or 4 hands (or orchestra), L. 131 - No. 2, "Pour un tombeau sans nom" |  | 3:58 | 
| 26 |  | Épigraphes antiques (6), for piano, 2 or 4 hands (or orchestra), L. 131 - No. 2, "Pour un tombeau sans nom" |  | 3:58 | 
| 27 |  | Épigraphes antiques (6), for piano, 2 or 4 hands (or orchestra), L. 131 - No. 3, "Pour que la nuit soit propice" |  | 2:12 | 
| 27 |  | Épigraphes antiques (6), for piano, 2 or 4 hands (or orchestra), L. 131 - No. 3, "Pour que la nuit soit propice" |  | 2:12 | 
| 28 |  | Épigraphes antiques (6), for piano, 2 or 4 hands (or orchestra), L. 131 - No. 4, "Pour la danseuse aux crotales" |  | 2:46 | 
| 28 |  | Épigraphes antiques (6), for piano, 2 or 4 hands (or orchestra), L. 131 - No. 4, "Pour la danseuse aux crotales" |  | 2:46 | 
| 29 |  | Épigraphes antiques (6), for piano, 2 or 4 hands (or orchestra), L. 131 - No. 5, "Pour l'egyptienne" |  | 2:56 | 
| 29 |  | Épigraphes antiques (6), for piano, 2 or 4 hands (or orchestra), L. 131 - No. 5, "Pour l'egyptienne" |  | 2:56 | 
| 30 |  | Épigraphes antiques (6), for piano, 2 or 4 hands (or orchestra), L. 131 - No. 6, "Pour remercier la pluie au matin" |  | 2:23 | 
| 30 |  | Épigraphes antiques (6), for piano, 2 or 4 hands (or orchestra), L. 131 - No. 6, "Pour remercier la pluie au matin" |  | 2:23 | 
| 31 |  | Lindaraja, for 2 pianos, L. 97 |  | 6:13 | 
| 31 |  | Lindaraja, for 2 pianos, L. 97 |  | 6:13 | 
| 32 |  | Marche écossaise, sur un thème populaire, for piano, 4 hands (or orchestra), L. 77 |  | 6:43 | 
| 32 |  | Marche écossaise, sur un thème populaire, for piano, 4 hands (or orchestra), L. 77 |  | 6:43 | 
| 33 |  | Petite suite (4), for piano, 4 hands (or orchestra), L. 65 - No. 1, "En bateau" |  | 3:31 | 
| 33 |  | Petite suite (4), for piano, 4 hands (or orchestra), L. 65 - No. 1, "En bateau" |  | 3:31 | 
| 34 |  | Petite suite (4), for piano, 4 hands (or orchestra), L. 65 - No. 2, "Cortege" |  | 3:13 | 
| 34 |  | Petite suite (4), for piano, 4 hands (or orchestra), L. 65 - No. 2, "Cortege" |  | 3:13 | 
| 35 |  | Petite suite (4), for piano, 4 hands (or orchestra), L. 65 - No. 3, "Menuet" |  | 3:04 | 
| 35 |  | Petite suite (4), for piano, 4 hands (or orchestra), L. 65 - No. 3, "Menuet" |  | 3:04 | 
| 36 |  | Petite suite (4), for piano, 4 hands (or orchestra), L. 65 - No. 4, "Ballet" |  | 3:24 | 
| 36 |  | Petite suite (4), for piano, 4 hands (or orchestra), L. 65 - No. 4, "Ballet" |  | 3:24 | 
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