Kompositionen von Wim Mertens
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| Werk |  | Epoche/Genre |
|---|---|---|
| Inergys | |
Contemporary Kammermusik |
| Its long sought principle | |
Contemporary Kammermusik |
| Its Maschinewesen | |
Contemporary Kammermusik |
| Jod | |
Contemporary Miscellaneous (Classical) |
| Kaf | |
Contemporary Miscellaneous (Classical) |
| Kof | |
Contemporary Miscellaneous (Classical) |
| Lir | |
Contemporary |
| Maximizing the Audience | |
Contemporary |
| Mem | |
Contemporary Miscellaneous (Classical) |
| Mildly skeeming | |
Contemporary Kammermusik |
| Mimicry | |
Contemporary Miscellaneous (Classical) |
| Multiple 12 | |
Contemporary Miscellaneous (Classical) |
| Naviamente | |
Contemporary Miscellaneous (Classical) |
| Noli Me Tangere | |
Contemporary Miscellaneous (Classical) |
| Non Datur | |
Contemporary Miscellaneous (Classical) |
| Par chance, sans effort | |
Contemporary Kammermusik |
| Pernicies | |
Contemporary Miscellaneous (Classical) |
| Possible Worlds | |
Contemporary Kammermusik |
| Pranzo | |
Contemporary Miscellaneous (Classical) |
| Random groping | |
Contemporary Kammermusik |
| Receptacle, for 18 instrumentalists | | Orchestral |
| Salernes, for piccolo, soprano saxophone, harp & electric piano | | Kammermusik |
| Songes | |
Contemporary Kammermusik |
| Struggle for Pleasure, for piano | |
Contemporary Keyboard |
| Such a transition | |
Contemporary Kammermusik |
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