Classical Heartbreakers: The Most Moving Classical Music of All Time
29
TickIt!
| Artist | Various Artists |
| Bewertung |  |
| Genre | Klassisch |
| Label | Virgin |
| Erschienen | 13.01.2004 |
Tracks
| # |  | Song | | Künstler | | Komponist | | Dauer | |
|---|---|---|---|---|---|---|---|---|---|
| 1 | | I. Allegro non troppo e mo | | London Symphony Orchestra, André Previn, Horacio Gutiérrez | | Pyotr Il'yich Tchaikovsky | | 3:24 | |
| 2 | | Intermezzo [Raging Bull] | | Riccardo Muti, Philharmonia Orchestra | | Pietro Mascagni | | 3:43 | |
| 3 | | Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for p | | Simon Rattle, City of Birmingham Symphony Orchestra, Cécile Ousset | | Sergey Rachmaninov | | 3:02 | |
| 4 | | O mio babbino caro [A Room with a View] | | Caballé, Montserrat, London Symphony Orchestra, Charles Mackerras | | Giacomo Puccini | | 2:48 | |
| 5 | | II. Ada [Truly,] | | Jordi Savall, Ton Koopman | | Johann Sebastian Bach | | 2:33 | |
| 6 | | Beim Schlafengehen ("Nun der Tag mich müd' gemacht") song for soprano & | | London Philharmonic Orchestra, Lucia Popp, Klaus Tennstedt | | Strauss, Richard | | 6:26 | |
| 7 | | Theme [Schlinder's List] | | Ian Sutherland, New World Philharmonic, Tasmin Little | | Williams, John | | 5:05 | |
| 8 | | Clair de lune, for piano (Suite Bergamasque No. 3), L. 75/3 [Frankie an | | Moura Lympany | | Claude Debussy | | 4:58 | |
| 9 | | Conclusion [DeAth in V] | | New Philharmonia Orchestra, John Barbirolli | | Gustav Mahler | | 3:10 | |
| 10 | | La Ebben? ne andrò lontana [Diva DeLuxe Club Mix] | | Maria Callas, Tullio Serafin, Philharmonia Orchestra | | Alfredo Catalani | | 4:54 | |
| 11 | | I. Adagio | | Moura Lympany | | Ludwig van Beethoven | | 3:59 | |
| 12 | | II. Adagio (opening) | | Yehudi Menuhin, Walter Süsskind, Philharmonia Orchestra | | Max Bruch | | 4:25 | |
| 13 | | E lucevan le stelle [The Man Who Cried] | | Orchestre De La Société Des Concerts Du Conservatoire, Carlo Bergonzi, Georges Prêtre | | Puccini | | 3:05 | |
| 14 | | Nocturne for piano No. 20 in C sharp minor, KK IVa/16, CT. 127 (B. 49) | | Maria Tipo | | Frédéric Chopin | | 4:24 | |
| 15 | | Adagio for strings (or string quartet; arr. from 2nd mvt. of String Qua | | Philadelphia Orchestra, Eugene Ormandy | | Samuel Barber | | 6:24 | |
| 16 | | I. Adagio - Moderato (opening) | | Del Mar, Norman, Robert Cohen, London Philharmonic Orchestra | | Edward Elgar | | 3:48 | |
| 17 | | II. Andante | | English Chamber Orchestra, Dmitri Alexeev, Jerzy Maksymiuk | | Dmitry Shostakovich | | 6:10 | |
| 18 | | Va, pensiero (Chorus of Hebrew Slaves) [The Godfather, Pt. 3] | | Royal Opera House Orchestra & Choir, Bernard Haitink | | Giuseppe Verdi | | 5:27 | |
| 19 | | Adagio, for violin, strings & organ in G minor, T. Mi 26 (composed by R | | Neville Marriner, Academy of Ancient Music | | Tomaso Albinoni | | 5:53 | |
| 20 | | The The Heart Asks Pleasure first / The Promise [The Piano] | | | Michael Nyman | | 3:15 | ||
| 21 | | Time to Say Goodbye (Con te partirò), song | | David Abel | | Quarantotto, Francesco Sartori | | 4:00 | |
| 22 | | A [The English Patient] | | Maria Tipo | | Johann Sebastian Bach | | 3:05 | |
| 23 | | Les Barcarolle [Life Is Beautiful] | | Clu, Orchestre De La Société Des Concerts Du Conservatoire, Elisabeth Schwarzkopf, Jeannine Collard, Choeurs René Ducios | | Jacques Offenbach | | 3:52 | |
| 24 | | II. Adagio sostenuto (opening) | | Simon Rattle, City of Birmingham Symphony Orchestra, Cécile Ousset | | Sergey Rachmaninov | | 4:32 | |
| 25 | | Nimrod [Elizabeth] | | London Symphony Orchestra, Adrian Boult | | Elgar | | 3:58 | |
| 26 | | Vissi d'arte | | Orchestre De La Société Des Concerts Du Conservatoire, Maria Callas, Georges Prêtre | | Puccini | | 3:04 | |
| 27 | | The Cavatina [The Deer Hunter] | | Steve Morse, Manuel Barrueco | | Stanley Myers | | 3:17 | |
| 28 | | Quintet for 2 violins, viola & 2 cellos in C major, D. 956 (Op. posth. | | Hungarian Quartet, Lászlo Varga | | Franz Schubert | | 4:40 | |
| 29 | | J'ai perdu [From Orphée et Eurydice] | | Anne Sofie von Otter, John Eliot Gardiner, Jerzy Maksymiuk | | Christoph Willibald Gluck | | 3:32 | |
| 30 | | Etude for piano No. 3 in E major, Op. 10/3, CT. 16 | | Jerzy Maksymiuk | | Frédéric Chopin | | 4:15 | |
| 31 | | La Attendo, attendo ... Addio del passato | | London Symphony Orchestra, Kiri Te Kanawa, Myung-Whun Chung | | Verdi | | 3:51 | |
| 32 | | Concerto for 2 violins, strings & continuo in D minor ("Double"), BWV 1 | | Bath Festial Orchestra, Yehudi Menuhin, Christian Ferras | | Johann Sebastian Bach | | 2:36 | |
| 33 | | The III. Adagio (Who Wants To Live Forever - Save Me) | | Royal Philharmonic Orchestra, Tolga Kashif | | Tolga Kashif | | 5:58 | |
| 34 | | II. Romance (Larghetto) | | Polish National Radio Symphony Orchestra, Garrick Ohlsson, Jerzy Maksymiuk | | Frédéric Chopin | | 4:08 | |
| 35 | | In paradi [The Thin Red Line] | | King's College Choir of Cambridge, English Chamber Orchestra, Stephen Cleobury | | Gabriel Fauré | | 3:28 | |
| 36 | | My Heart Will Go On (from the film "Titanic") [From Titanic] | | David Abel | | James Horner | | 4:22 | |
| 37 | | Conc [Manhattan Clique Extended Mix] | | London Symphony Orchestra, André Previn | | George Gershwin | | 5:35 | |
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| Datum | | Typ | | Label | | Katalog-Nr. |
|---|---|---|---|---|---|---|
| 12.05.2003 | | CD | | Virgin | | 522 |
| 13.01.2004 | | CD | | EMI Music Distribution | | 85345 |
