| A Paven, M. Maynes Choice |  |
Barock
Kammermusik
|
| A Paven, Sir Richard Westons Delight | |
Barock
Kammermusik
|
| Airs de Cour | |
Barock
Orchestral
|
| Almighty God who hast me brought | |
Barock
|
| An Almaine, M. Westovers Farewell | |
Barock
Kammermusik
|
| Aria for Solo Viol in Bandora Sett | |
Barock
Kammermusik
|
| Cate of Bardy, The Queenes Jig | |
Barock
Kammermusik
|
| Come, Phyllis | |
Barock
Miscellaneous (Classical)
|
| Courantta for Solo Viol in Bandora Sett | |
Barock
Kammermusik
|
| Faire Sweet Cruell for 4 voices & instruments | |
Barock
Vocal Music
|
| Forget Me Not, for 2 viols | |
Barock
Kammermusik
|
| Galliard for Mr. Southcote | |
Barock
Kammermusik
|
| Go, Passions, to the Cruel Fair | |
Barock
Miscellaneous (Classical)
|
| Mr Southcote's Pavan and Galliard | |
Barock
Orchestral
|
| Musicke of Sundrie Kindes | |
Barock
Miscellaneous (Classical)
|
| Not full twelve years (Musicke of Sundrie Kindes), for voice & lute | |
Barock
Vocal Music
|
| Now I See Thy Looks Were Feigne | |
Barock
Miscellaneous (Classical)
|
| Pavane and Galliard | |
Barock
Orchestral
|
| Pavane for Mr. Southcote | |
Barock
Kammermusik
|
| Sarabande for Solo Viol in Bandora Sett | |
Barock
Kammermusik
|
| Sigh No More Ladies | |
Barock
Miscellaneous (Classical)
|
| Since First I Saw Your Face, song for 4 voices & instruments | |
Barock
Choral
|
| The Baggepipes, Sir Charles Howards Delight | |
Barock
Kammermusik
|
| The Galiard, for 2 viols | |
Kammermusik
|
| There Is a Ladie, Sweet and Kind for 4 voices & instruments | |
Barock
Vocal Music
|
