| The Harp of New Albion, for piano |  |
Contemporary
Keyboard
|
| The Hook Lecture, for piano & voice | |
Avant-Garde Music
|
| The Lake, for piano | |
Contemporary
Keyboard
|
| The Last Camel in Paris, for organ & electronics | |
Keyboard
|
| The Philosopher's Hand, for piano | |
Contemporary
Keyboard
|
| The Room of Remembrance, for synthesizer, vibes, piano, marimba & sax | |
Contemporary
Kammermusik
|
| The Walrus in Memorium, for piano | |
Contemporary
Keyboard
|
| Tread on the Trail, for unspecified performers | |
Contemporary
Kammermusik
|
| Tritono, for synthesizer & string bass | |
Contemporary
Kammermusik
|
| Uncle Jard, for sax quartet, voice, piano & harpsichord | |
Contemporary
Kammermusik
|
| Underworld Arising, for piano | |
Contemporary
Keyboard
|
| Venus in 94, for piano (from "The Heaven Ladder, Book 7") | |
Modern
Keyboard
|
| Work(s) | |
Contemporary
Miscellaneous (Classical)
|
| Y Bolanzero, for 20 guitars (from "The Book of Abbeyozzud") | |
Contemporary
Kammermusik
|
| You're No Good, tape collage & synthesizer | |
Contemporary
|
| Zamorra, for 2 guitars (from "The Book of Abbeyozzud") | |
Contemporary
Kammermusik
|
