| Walter Gropius on industrial contracts |  |
Miscellaneous (Classical)
|
| Walter Gropius on Klee, Itten, Kandinsky, Feininger & Moholy-Nagy | |
Miscellaneous (Classical)
|
| Walter Gropius on Meyer and Mies van der Rohe | |
Miscellaneous (Classical)
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| Walter Gropius on selection and students | |
Miscellaneous (Classical)
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| Walter Gropius on the future of architecture | |
Miscellaneous (Classical)
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| Walter Gropius on the origins of the Bauhaus | |
Miscellaneous (Classical)
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| Walter Gropius on utopianism | |
Miscellaneous (Classical)
|
| Watching Music, poem | |
Miscellaneous (Classical)
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| We come now to the second movement (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein) | |
Miscellaneous (Classical)
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| We have just been examining... (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein) | |
Miscellaneous (Classical)
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| Welcome message from David Shrader | |
Miscellaneous (Classical)
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| Well, we have had a microscopic view (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein) | |
Miscellaneous (Classical)
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| Wenn du unterscheiden gelernt, poem | |
Miscellaneous (Classical)
|
| Werner Ehrhardt and Mehmet Cemal Yesilçay in interview | |
Miscellaneous (Classical)
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| What the Edinburgh Festival Has Meant to Me, spoken commentary by Kathleen Ferrier | |
Miscellaneous (Classical)
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| Who's on First?, comedy routine | |
Miscellaneous (Classical)
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| Wie hat er gelebt?, poem | |
Miscellaneous (Classical)
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| Wie ist die Geige nun des Wohllauts voll, poem | |
Miscellaneous (Classical)
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| Wilhelm Furtwänlger On the nature of the symphonic, tempo and the General Pause | |
Miscellaneous (Classical)
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| Wilhelm Furtwänlger talks about a conductor's problems, concert audiences, Bruckner's music, accompanying, singers | |
Miscellaneous (Classical)
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| Wilhelm Furtwänlger talks about acoustics in large and small halls | |
Miscellaneous (Classical)
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| Wilhelm Furtwänlger talks about music in opera | |
Miscellaneous (Classical)
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| Wilhelm Furtwänlger talks about questions of style, performance markings, alternative versions | |
Miscellaneous (Classical)
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| Wilhelm Furtwänlger talks about scoring, instrumental technique, expression, melody and legato | |
Miscellaneous (Classical)
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| Wilhelm Furtwänlger talks about Verdi's Otello | |
Miscellaneous (Classical)
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