| 'Al naharót bavél (Psalm 137) à 4 |  |
Renaissance
Choral
|
| Adon Olam (from The Songs of Solomon) | |
Renaissance
Vocal Music
|
| Ah dolente partita, for 4 voices & continuo | |
Renaissance
Choral
|
| Ahi, tu parti, o mia luce, for 4 voices & continuo | |
Renaissance
Choral
|
| Amor, se pur degg'io, for 4 voices & continuo | |
Renaissance
Choral
|
| Anima del cor mio, for voice & chitarrone (Madrigali a 5, Libro primo) | |
Renaissance
Vocal Music
|
| Aria di Bergamasca "Quel augellin che canta" (Sonatas, Book 4) | |
Renaissance
Kammermusik
|
| Balletto & Galliarda (Libro 2, No. 17) | |
Renaissance
Orchestral
|
| Bar'chu (from The Songs of Solomon) | |
Renaissance
Vocal Music
|
| Barekhú (Prayer) à 3 | |
Choral
|
| Baruch haba b'shem Adonai (from The Canticles of Salomon) | |
Renaissance
Vocal Music
|
| Bor'chu et adonoy, motet | |
Choral
|
| Canzona | |
Renaissance
Kammermusik
|
| Chiaccio e foco nell'amata, madrigal for 2 voices (from Madrigaletti a 2), Op. 13 | |
Renaissance
Vocal Music
|
| Com'è dolc'il gioire, for 4 voices & continuo | |
Renaissance
Choral
|
| Cor mio deh non languire, for voice & chitarrone (Madrigali a 5, Libro primo) | |
Renaissance
Vocal Music
|
| Cor Mio, madrigal for 5 voices (Madrigali a 5, Libro primo) | |
Renaissance
Choral
|
| Cor mio, mentr'io vi miro, for 4 voices & continuo | |
Renaissance
Choral
|
| Correte amanti, for 3 voices (from Canzonette a 3, Libro primo) | |
Renaissance
Choral
|
| Dir mi che piu non ardo, madrigal for 5 voices (Madrigali a 5, Libro primo) | |
Renaissance
Choral
|
| Dolcemente dormiva la mia Clori, for 4 voices & continuo | |
Renaissance
Choral
|
| Ed è pur ver ch'io parta, for 4 voices & continuo | |
Renaissance
Choral
|
| Eftach na sefatai | |
Renaissance
Vocal Music
|
| Eftach shir bisfatai | |
Renaissance
Vocal Music
|
| Ein Kehloheinu (from The Songs of Solomon) | |
Renaissance
Vocal Music
|
