Kompositionen von Phillip Friedrich Böddecker
Suche verfeinern [Zeige 1-15 von 15]
| Werk |  | Epoche/Genre |
| Christ lag in Todtesbanden, sacred concerto for voice & continuo (Sacra Partitura, 1651) | |
Vocal Music
|
| Deus, Deus meus, psalm for voice & continuo (Sacra Partitura, 1651) | |
Vocal Music
|
| Ecce Sacrum paratum, for voice & continuo (Sacra Partitura, 1651) (after Monteverdi) | |
Vocal Music
|
| Haec est Dies (Psalm 118), for voice & continuo (Sacra Partitura, 1651) | |
Vocal Music
|
| Laudate Dominum, for voice & continuo (Sacra Partitura, 1651) | |
Vocal Music
|
| Magnificat anima mea Dominum, motet for voice & continuo (Sacra Partitura, 1651) | |
Vocal Music
|
| Melos Irenicum, ("Te Deum laudamus") | |
Barock
Choral
|
| Natus est Iesus, sacred concerto for voice & continuo (Sacra Partitura, 1651) | |
Vocal Music
|
| Natus est Jesus, for soprano & basso continuo | |
Barock
Vocal Music
|
| O Vatter aller frommen, motet for voice & continuo (Sacra Partitura, 1651) | |
Vocal Music
|
| Pater noster, for voice & continuo (Sacra Partitura, 1651) (after Casati) | |
Vocal Music
|
| Sonata for violin & continuo in D minor | |
Barock
|
| Sonata sopra La Monica, for bassoon & organ (from Sacra Partitura) | |
Barock
Kammermusik
|
| Trauerklang und Trostgesang, for 2 voices & continuo | |
Vocal Music
|
| Veni Salvator hominum, sacred concerto for voice & chamber orchestra (Sacra Partitura, 1651) | |
Barock
Concerto
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[Zeige 1-15 von 15]
