| Suite, for consort No. 1 in C minor (from Flat Consort for My Cousin Kemble) |  |
Renaissance
Kammermusik
|
| Suite, for consort No. 4 in E minor | |
Renaissance
Orchestral
|
| Suite, for consort No. 5 in G minor | |
Renaissance
Orchestral
|
| Suite, for consort No. 6 in A major | |
Renaissance
Orchestral
|
| Suite, for keyboard in C major (I) (Melothesia Nos. 3-7; No. 6 inauthentic) | |
Barock
Keyboard
|
| Suite, for keyboard in C major (II) (Melothesia Nos. 13-18) | |
Barock
Keyboard
|
| Suite, for keyboard in D major (Melothesia Nos. 19-20, 22-24) | |
Barock
Keyboard
|
| Suite, for keyboard in D major (NY Drexel Ms. 5611) | |
Barock
Keyboard
|
| Suite, for keyboard in G minor (Melothesia Nos. 8, 10-11) | |
Barock
Keyboard
|
| Suite, for recorder (or violin), bass viol & optional continuo No. 3 in D minor/major (For Several Friends No. 3) | |
Renaissance
Kammermusik
|
| Suite, for recorder (or violin), bass viol & optional continuo No. 6 in A major/minor (For Several Friends No. 6) | |
Kammermusik
|
| Suite, for trumpet, trombone, bass viol & optional continuo No. 2 in B flat major (The Flat Consort No. 2) | |
Renaissance
Kammermusik
|
| Suite, No. 1 in G minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) | |
Barock
Kammermusik
|
| Suite, No. 3 in D minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) | |
Barock
Kammermusik
|
| Suite, No. 5 in F major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) | |
Barock
Kammermusik
|
| Suite, No. 6 in A minor/ major (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) | |
Barock
Kammermusik
|
| Suite, No. 8 for treble instrument & bass viols/violins (from Consort ffor severall ffriends) | |
Barock
Kammermusik
|
| Suite, No. 8 in D minor (from Compositions for Broken and Whole Consorts of 2, 3, 4, 5 and 6 Parts, 1672) | |
Barock
Kammermusik
|
| Suites (7) | |
Barock
Orchestral
|
| Super flumina Babylonis, motet for 4 voices, 3 viols & continuo | |
Barock
Choral
|
| Symphony of Bird Calls, for 2 flutes & ensemble | |
Kammermusik
|
| The Apes' Dance, for violin & continuo (from The Cruelty of the Spaniards in Peru) | |
Barock
Kammermusik
|
| The Bondman's Dance, for keyboard | |
Renaissance
Keyboard
|
| The Broken Consort Part 1, suites (6) for 2 violins, bass viol & continuo | |
Barock
Kammermusik
|
| The Conclusion, a canon 4 in 2 for strings (The Tempest No. 31) | |
Barock
Kammermusik
|
