Callas: La Divina [Limited Edition]
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| Artist | Maria Callas |
| Bewertung |  |
| Epoche | Romantische Musik (1820-1869) |
| Label | EMI Classics |
| Erschienen | 1995 |
Klassik-Werke auf diesem Album
Tracks auf diesem Album
| # |  | Titel | | Dauer |
|---|---|---|---|---|
| 1 | | Madama Butterfly (Madame Butterfly), opera - Act 2. Un bel dì, vedremo | | 4:43 |
| 1 | | Madama Butterfly (Madame Butterfly), opera - Act 2. Un bel dì, vedremo | | 4:43 |
| 2 | | Carmen, opera - Act 1. L'amour est un oiseau rebelle (Habanera) | | 4:02 |
| 2 | | Carmen, opera - Act 1. L'amour est un oiseau rebelle (Habanera) | | 4:02 |
| 3 | | La Wally, opera (dramma musicale) in 4 acts - Act 1. Ebben? ne andrò lontana | | 4:49 |
| 3 | | La Wally, opera (dramma musicale) in 4 acts - Act 1. Ebben? ne andrò lontana | | 4:49 |
| 4 | | Il barbiere di Siviglia (The Barber of Seville), opera - Act 1. Una voce poco fa | | 6:52 |
| 4 | | Il barbiere di Siviglia (The Barber of Seville), opera - Act 1. Una voce poco fa | | 6:52 |
| 5 | | Norma, opera - Act 1. Casta Diva | | 5:36 |
| 5 | | Norma, opera - Act 1. Casta Diva | | 5:36 |
| 6 | | Samson et Dalila, opera in 3 acts, Op. 47 - Act 2. Mon coeur s'ouvre à ta voix | | 5:16 |
| 6 | | Samson et Dalila, opera in 3 acts, Op. 47 - Act 2. Mon coeur s'ouvre à ta voix | | 5:16 |
| 7 | | Rigoletto, opera - Act 1. Caro nome | | 5:12 |
| 7 | | Rigoletto, opera - Act 1. Caro nome | | 5:12 |
| 8 | | La Traviata, opera - Act 1. Sempre libera | | 4:04 |
| 8 | | La Traviata, opera - Act 1. Sempre libera | | 4:04 |
| 9 | | Roméo et Juliette, opera - Act 1. Je veux vivre dans ce rêve | | 3:39 |
| 9 | | Roméo et Juliette, opera - Act 1. Je veux vivre dans ce rêve | | 3:39 |
| 10 | | La bohème, opera - Act 1. Sì, mi chiamano Mimi | | 4:49 |
| 10 | | La bohème, opera - Act 1. Sì, mi chiamano Mimi | | 4:49 |
| 11 | | Don Giovanni, opera, K. 527 - Act 2. Mi tradì quell'alma ingrata | | 3:44 |
| 11 | | Don Giovanni, opera, K. 527 - Act 2. Mi tradì quell'alma ingrata | | 3:44 |
| 12 | | Cavalleria rusticana, opera (melodramma) in 1 act - Voi lo sapete, o mamma | | 6:16 |
| 12 | | Cavalleria rusticana, opera (melodramma) in 1 act - Voi lo sapete, o mamma | | 6:16 |
| 13 | | La Gioconda, opera in 4 acts - Act 4. Suicido! | | 4:17 |
| 13 | | La Gioconda, opera in 4 acts - Act 4. Suicido! | | 4:17 |
| 14 | | Gianni Schicchi, opera - O mio babbino caro | | 2:35 |
| 14 | | Gianni Schicchi, opera - O mio babbino caro | | 2:35 |
| 15 | | Turandot, opera - Act 2. In questa reggia | | 6:23 |
| 15 | | Turandot, opera - Act 2. In questa reggia | | 6:23 |
| 16 | | Tosca, opera - Act 2. Vissi d'arte, vissi d'amore | | 3:03 |
| 16 | | Tosca, opera - Act 2. Vissi d'arte, vissi d'amore | | 3:03 |
| 17 | | Alceste (French version), opera in 3 acts, Wq. 44 - Act 1. Divinités du Styx | | 4:25 |
| 17 | | Alceste (French version), opera in 3 acts, Wq. 44 - Act 1. Divinités du Styx | | 4:25 |
| 18 | | Carmen, opera - Act 2. Les tringles des sistres tintaient (Chanson bohème) | | 4:24 |
| 18 | | Carmen, opera - Act 2. Les tringles des sistres tintaient (Chanson bohème) | | 4:24 |
| 19 | | Ernani, opera - Act 1. Surta è la notte... Ernani! Ernani, involami | | 6:15 |
| 19 | | Ernani, opera - Act 1. Surta è la notte... Ernani! Ernani, involami | | 6:15 |
| 20 | | Manon Lescaut, opera - Act 2. In quelle trine morbide | | 2:53 |
| 20 | | Manon Lescaut, opera - Act 2. In quelle trine morbide | | 2:53 |
| 21 | | Aida, opera - Act 1. Ritorna vincitor | | 7:05 |
| 21 | | Aida, opera - Act 1. Ritorna vincitor | | 7:05 |
| 22 | | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 4. J'ai perdu mon Eurydice | | 4:24 |
| 22 | | Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 - Act 4. J'ai perdu mon Eurydice | | 4:24 |
| 23 | | I Vespri siciliani, opera (Les vêpres siciliennes) - Act 5. Bolero: Mercè, dilette amiche | | 4:01 |
| 23 | | I Vespri siciliani, opera (Les vêpres siciliennes) - Act 5. Bolero: Mercè, dilette amiche | | 4:01 |
| 24 | | Louise, opera - Act 3. Depuis le jour | | 4:48 |
| 24 | | Louise, opera - Act 3. Depuis le jour | | 4:48 |
| 25 | | La bohème, opera - Act 3. Donde lieta uscì | | 3:22 |
| 25 | | La bohème, opera - Act 3. Donde lieta uscì | | 3:22 |
| 26 | | Mignon, opera in 3 acts - Act 2. Ah, pour ce soir... Je suis Titania (Polonaise) | | 5:11 |
| 26 | | Mignon, opera in 3 acts - Act 2. Ah, pour ce soir... Je suis Titania (Polonaise) | | 5:11 |
| 27 | | La Traviata, opera - Act 3. Teneste la promessa... Addio, del passato | | 5:18 |
| 27 | | La Traviata, opera - Act 3. Teneste la promessa... Addio, del passato | | 5:18 |
| 28 | | Don Carlo, opera - Act 3. O don fatale | | 4:45 |
| 28 | | Don Carlo, opera - Act 3. O don fatale | | 4:45 |
| 29 | | Samson et Dalila, opera in 3 acts, Op. 47 - Act 1. Printemps qui commence | | 5:17 |
| 29 | | Samson et Dalila, opera in 3 acts, Op. 47 - Act 1. Printemps qui commence | | 5:17 |
| 30 | | La sonnambula, opera - Act 1. Compagne, teneri amici... Come per me sereno | | 5:48 |
| 30 | | La sonnambula, opera - Act 1. Compagne, teneri amici... Come per me sereno | | 5:48 |
| 31 | | Adriana Lecouvreur, opera - Act 1. Ecco: respiro appena... Io son l'umile ancella | | 3:47 |
| 31 | | Adriana Lecouvreur, opera - Act 1. Ecco: respiro appena... Io son l'umile ancella | | 3:47 |
| 32 | | Lucia di Lammermoor, opera - Act 3. Spargi d'amaro pianto | | 4:07 |
| 32 | | Lucia di Lammermoor, opera - Act 3. Spargi d'amaro pianto | | 4:07 |
| 33 | | Andrea Chénier, opera - Act 3. La mamma morta | | 4:53 |
| 33 | | Andrea Chénier, opera - Act 3. La mamma morta | | 4:53 |
| 34 | | La Vestale, opera - Act 2. O Nume tutelar | | 2:30 |
| 34 | | La Vestale, opera - Act 2. O Nume tutelar | | 2:30 |
| 35 | | Manon, opera in 5 acts - Act 2. Je ne suis que faiblesse... Adieu, notre petite table | | 3:21 |
| 35 | | Manon, opera in 5 acts - Act 2. Je ne suis que faiblesse... Adieu, notre petite table | | 3:21 |
| 36 | | Manon Lescaut, opera - Act 2. Oh, sarò la più bella... Tu, tu amore? | | 8:23 |
| 36 | | Manon Lescaut, opera - Act 2. Oh, sarò la più bella... Tu, tu amore? | | 8:23 |
| 37 | | Carmen, opera - Act 1. Près des remparts de Séville (Séguedille) | | 4:37 |
| 37 | | Carmen, opera - Act 1. Près des remparts de Séville (Séguedille) | | 4:37 |
| 38 | | Il barbiere di Siviglia (The Barber of Seville), opera - Act 1. Dunque io son | | 5:13 |
| 38 | | Il barbiere di Siviglia (The Barber of Seville), opera - Act 1. Dunque io son | | 5:13 |
| 39 | | Lakmé, opera - Act 2. Dov' è l'indiana bruna? | | 8:04 |
| 39 | | Lakmé, opera - Act 2. Dov' è l'indiana bruna? | | 8:04 |
| 40 | | Aida, opera - Act 3. Qui Radamès verrà!... O patria mia | | 7:06 |
| 40 | | Aida, opera - Act 3. Qui Radamès verrà!... O patria mia | | 7:06 |
| 41 | | La bohème, opera - Act 1. O soave fanciulla | | 4:10 |
| 41 | | La bohème, opera - Act 1. O soave fanciulla | | 4:10 |
| 42 | | Turandot, opera - Act 1. Signore, ascolta! | | 2:31 |
| 42 | | Turandot, opera - Act 1. Signore, ascolta! | | 2:31 |
| 43 | | Pagliacci, opera - Act 1. Qual fiamma avea nel guardo... Hui! Stridono lassù | | 4:43 |
| 43 | | Pagliacci, opera - Act 1. Qual fiamma avea nel guardo... Hui! Stridono lassù | | 4:43 |
| 44 | | Il Trovatore, opera - Act 4. D'amor sull' ali rosee | | 4:11 |
| 44 | | Il Trovatore, opera - Act 4. D'amor sull' ali rosee | | 4:11 |
| 45 | | Madama Butterfly (Madame Butterfly), opera - Act 1. Vogliatemi bene, un bene piccolino | | 7:23 |
| 45 | | Madama Butterfly (Madame Butterfly), opera - Act 1. Vogliatemi bene, un bene piccolino | | 7:23 |
| 46 | | Dinorah (Le pardon de Ploërmel), comic opera in 3 acts - Act 2. Ombra leggiera | | 5:39 |
| 46 | | Dinorah (Le pardon de Ploërmel), comic opera in 3 acts - Act 2. Ombra leggiera | | 5:39 |
| 47 | | Maria Callas in conversation with Edward Downes (Metropolitan Opera, December 30, 1967 & January 13, 1968) - Well, Madame Callas -- even though I've been looking forward to it for so long -- it's a surprising | | 3:26 |
| 47 | | Maria Callas in conversation with Edward Downes (Metropolitan Opera, December 30, 1967 & January 13, 1968) - Well, Madame Callas -- even though I've been looking forward to it for so long -- it's a surprising | | 3:26 |
| 48 | | Maria Callas in conversation with Edward Downes (Metropolitan Opera, December 30, 1967 & January 13, 1968) - And the same thing seems to me to apply to your career in general... | | 3:17 |
| 48 | | Maria Callas in conversation with Edward Downes (Metropolitan Opera, December 30, 1967 & January 13, 1968) - And the same thing seems to me to apply to your career in general... | | 3:17 |
| 49 | | Maria Callas in conversation with Edward Downes (Metropolitan Opera, December 30, 1967 & January 13, 1968) - But -- you know -- you are speaking of not being traditional and so on... | | 1:30 |
| 49 | | Maria Callas in conversation with Edward Downes (Metropolitan Opera, December 30, 1967 & January 13, 1968) - But -- you know -- you are speaking of not being traditional and so on... | | 1:30 |
| 50 | | Maria Callas in conversation with Edward Downes (Metropolitan Opera, December 30, 1967 & January 13, 1968) - You were speaking a moment ago about your "first" career | | 6:01 |
| 50 | | Maria Callas in conversation with Edward Downes (Metropolitan Opera, December 30, 1967 & January 13, 1968) - You were speaking a moment ago about your "first" career | | 6:01 |
| 51 | | Maria Callas in conversation with Edward Downes (Metropolitan Opera, December 30, 1967 & January 13, 1968) - There is always a certain limit, even in "corone," as they say -- in long held notes... | | 4:54 |
| 51 | | Maria Callas in conversation with Edward Downes (Metropolitan Opera, December 30, 1967 & January 13, 1968) - There is always a certain limit, even in "corone," as they say -- in long held notes... | | 4:54 |
| 52 | | Maria Callas in conversation with Edward Downes (Metropolitan Opera, December 30, 1967 & January 13, 1968) - Tell me -- one thing that I would have thought would have taken a lot of will-power -- you were at | | 5:44 |
| 52 | | Maria Callas in conversation with Edward Downes (Metropolitan Opera, December 30, 1967 & January 13, 1968) - Tell me -- one thing that I would have thought would have taken a lot of will-power -- you were at | | 5:44 |
| 53 | | Maria Callas in conversation with Edward Downes (Metropolitan Opera, December 30, 1967 & January 13, 1968) - You know -- there's another question that I want to ask you very much, and that is: in this enormou | | 4:23 |
| 53 | | Maria Callas in conversation with Edward Downes (Metropolitan Opera, December 30, 1967 & January 13, 1968) - You know -- there's another question that I want to ask you very much, and that is: in this enormou | | 4:23 |
| 54 | | Maria Callas in conversation with Edward Downes (Metropolitan Opera, December 30, 1967 & January 13, 1968) - You said that you have had to struggle and yet it seems very hard to believe... | | 3:58 |
| 54 | | Maria Callas in conversation with Edward Downes (Metropolitan Opera, December 30, 1967 & January 13, 1968) - You said that you have had to struggle and yet it seems very hard to believe... | | 3:58 |
| 55 | | Maria Callas in conversation with Edward Downes (Metropolitan Opera, December 30, 1967 & January 13, 1968) - I'd heard so many stories about you before you came to this country... | | 8:22 |
| 55 | | Maria Callas in conversation with Edward Downes (Metropolitan Opera, December 30, 1967 & January 13, 1968) - I'd heard so many stories about you before you came to this country... | | 8:22 |
| 56 | | Maria Callas in conversation with Edward Downes (Metropolitan Opera, December 30, 1967 & January 13, 1968) - Well -- now tell me -- when you're singing the bel canto roles... | | 7:07 |
| 56 | | Maria Callas in conversation with Edward Downes (Metropolitan Opera, December 30, 1967 & January 13, 1968) - Well -- now tell me -- when you're singing the bel canto roles... | | 7:07 |
| 57 | | Maria Callas in conversation with Edward Downes (Metropolitan Opera, December 30, 1967 & January 13, 1968) - Music has to be well performed | | 3:27 |
| 57 | | Maria Callas in conversation with Edward Downes (Metropolitan Opera, December 30, 1967 & January 13, 1968) - Music has to be well performed | | 3:27 |
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