| Fidelius servus, antienne pour les vêpres d'un confesseur non pontife, motet for 2 voices, 2 violins & continuo, H. 34 |  |
Barock
Choral
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| Filius Prodigus, histoire sacrée for 7 voices, chorus & strings, H. 399 |  |
Barock
Choral
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| Gaude felix Anna, motet for 2 voices & continuo, H. 315 |  |
Barock
Choral
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| Gaudia Virginis Mariae, motet for 3 sopranos & continuo, H. 59 |  |
Barock
Choral
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| Gloria Patri pour le De Profundis, motet (excerpt) for 3 voices, chorus, chorus, flute & continuo, H. 205 |  |
Barock
Choral
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| Gratiarum actiones ex sacris codicibus excerptae pro restituta serenissimi Galliarum delphini salute, motet, H. 326 |  |
Barock
Choral
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| Il faut rire et chanter, Dispute de bergers, pastorale for 4 voices, chorus, 2 treble instruments & continuo, H. 484 |  |
Barock
Oper
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| In circumcisione Domini, histoire sacrée for 3 voices, 2 treble instruments & continuo, H. 406 |  |
Barock
Choral
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| In circumcisione Domini, motet for 3 voices, 2 treble instruments & continuo, H. 316 |  |
Barock
Choral
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| In festo purificationis, motet 3 voices, 2 treble instruments & continuo, H. 318 |  |
Barock
Choral
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| In honorem Caeciliae, Valeriani et Tiburtii canticum, histoire sacrée for 3 voices, 2 treble instruments & continuo, H. 394 |  |
Barock
Choral
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| In honorem S. Ludovici, motet for 6 voices, chorus, orchestra & continuo, H. 365 |  |
Barock
Choral
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| In honorem Sancti Xaverii Canticum, motet for 5 voices, orchestra & continuo, H. 355 |  |
Barock
Choral
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| In honorem Sancti Ludovici Regis Galliae Canticum, motet for 3 voices, chorus, 2 flutes, oboe & continuo, H. 365a |  |
Barock
Choral
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| In honorem Sancti Ludovici Regis Galliæ, histoire sacrée for 3 voices, orchestra & continuo, H. 418 |  |
Barock
Choral
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| In honorem Sancti Ludovici, motet 3 voices, 2 treble instrumenst & continuo, H. 323 |  |
Barock
Choral
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| In monte Oliveti, premier répons après la première leçon du premier nocturne, motet for 2 high sopranos & continuo, H. 111 |  |
Barock
Choral
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| In nativitate Domini Nostri Jesu Christi Canticum, histoire sacrée for 3 voices & continuo, H. 421 |  |
Barock
Choral
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| In nativitatem Domini canticum, Christmas motet for soprano, countertenor, tenor, bass, 2 flutes, 2 violins & continuo, H. 314 |  |
Barock
Choral
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| In Nativitatem Domini Canticum, histoire sacrée for 3 voices, chorus, orchestra & continuo, H. 416 |  |
Barock
Choral
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| In nativitatem Domini Nostri Jesu Christi Canticum, histoire sacrée for 4 voices, chorus, 2 treble instruments & continuo, H. 414 |  |
Barock
Choral
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| In obitum gallorum Reginae Lamentum, histoire sacrée for 7 voices, double chorus, 3 flutes, strings & continuo, H. 409 |  |
Barock
Choral
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| In te Domine speravi, motet for 5 voices, chorus, strings & continuo, H. 228 |  |
Barock
Choral
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| Inviolata, integra, et casta es, Maria, motet for 2 sopranos, bass & continuo, H. 26 |  |
Barock
Choral
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| Jerusalem surge, 2e répons après la 2e leçon du 1er nocturne du vendredi, motet for 2 voices, instruments & continuo, H. 130 |  |
Barock
Choral
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