| Les Francs-Maçons |  |
Barock
Choral
|
| Magnificat à trois parties, for alto, tenor, bass & continuo, C. 136 | |
Barock
Choral
|
| Médée, cantata for voice & ensemble | |
Barock
Choral
|
| Miserere, 3-part motet | |
Barock
Choral
|
| Motet pour le Roy, la Reine et le Dauphin: Exultet in Domino | |
Barock
Choral
|
| Motets | |
Barock
Choral
|
| O deliciis affluens, motet for alto, tenor & continuo, C. 109 | |
Barock
Choral
|
| O piissima, o sanctissima, motet for alto, tenor, bass & continuo, C. 135 | |
Barock
Choral
|
| Orphée, cantata No 3 for voice & symphony | |
Barock
Choral
|
| Panis angelicus, motet for alto, tenor, bass & continuo, C. 131 | |
Barock
Choral
|
| Pirâme et Tisbé, cantata | |
Barock
Choral
|
| Plein Jeu | |
Barock
Keyboard
|
| Poliphème, cantata for voice & ensemble (Book 1, No. 4) | |
Barock
Vocal Music
|
| Pour un Salut du Saint Sacrement (Benediction of the Holy Sacrament) | |
Barock
Choral
|
| Prélude in G major, for harpsichord (Saint-Genevieve MS 2374) | |
Keyboard
|
| Premier Livre et Plain-Chant for organ | |
Barock
Keyboard
|
| Récit de Nazard, for organ | |
Barock
Keyboard
|
| Regina caeli laetare, for solo voice | |
Barock
Vocal Music
|
| Salve Regina, antiphone for alto, tenor, bass, flute, 2 violins & continuo, C. 114 | |
Barock
Choral
|
| Simphonie à 5 in G minor | |
Barock
Orchestral
|
| Sonata L'impromptu | |
Barock
Keyboard
|
| Sonata La félicité | |
Barock
Keyboard
|
| Sonata La Magnifique | |
Barock
Keyboard
|
| Sonata prima "Anonima" in G major | |
Barock
Orchestral
|
| Suite du deuxième ton, alternated with chant from a Benedictus | |
Barock
Choral
|
