Kiri: A Portrait
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| Artist | Kiri Te Kanawa |
| Bewertung | |
| Genre | Klassisch |
| Label | Decca |
| Erschienen | 10.02.2004 |
Tracks
| # | Song | Künstler | Komponist | Dauer | |||||
|---|---|---|---|---|---|---|---|---|---|
| 1 | O mio babbino caro [Gianni Schicchi] | Barlow, Stephen, London Symphony Orchestra, Kiri Te Kanawa | Giacomo Puccini | 2:31 | |||||
| 2 | Baïlèro, folksong for voice & orchestra (Chants d'Auvergne, Series 1, N | Tate, Jeffrey, Kiri Te Kanawa, English Chamber Orchestra | Canteloube, Marie-Joseph | 6:44 | |||||
| 3 | Malurous qu'o uno fenno, folksong for voice & orchestra (Chants d'Auver | Tate, Jeffrey, Kiri Te Kanawa, English Chamber Orchestra | Canteloube, Marie-Joseph | 1:35 | |||||
| 4 | Le Porgi, amor [Le Nozze di Figaro] | Kiri Te Kanawa, London Philharmonic Orchestra, Georg Solti | Wolfgang Amadeus Mozart | 4:33 | |||||
| 5 | Ch'io mi scordi di te...Non temer, amato bene, recitative and aria for | Tate, Jeffrey, Kiri Te Kanawa, English Chamber Orchestra, Mitsuko Uchida | Wolfgang Amadeus Mozart | 9:52 | |||||
| 6 | Nehmt meinen Dank, ihr holden Gönner, aria for soprano & orchestra. K. | Fischer, György, Wiener Kammerorchester, Kiri Te Kanawa | Wolfgang Amadeus Mozart | 3:39 | |||||
| 7 | Ruhe sanft, mein holdes Leben [Zaïde] | Colin Davis, London Symphony Orchestra, Kiri Te Kanawa | Wolfgang Amadeus Mozart | 6:40 | |||||
| 8 | Vier letzte Lieder (Four Last Songs), for soprano & orchestra, o.Op. 15 | Kiri Te Kanawa, Georg Solti, Vienna Philharmonic Orchestra | Richard Strauss | 4:54 | |||||
| 9 | Ave Maria, for voice & piano (after Bach's Prelude No. 1 from the Well- | Kiri Te Kanawa, Utah Symphony Orchestra, Julius Rudel | Johann Sebastian Bach | 2:49 | |||||
| 10 | Pie Jesu | Orchestre Symphonique De Montréal, Kiri Te Kanawa, Charles Dutoit | Fauré, Gabriel | 3:47 | |||||
| 11 | Panis angelicus for tenor, organ, harp, cello & bass | Kiri Te Kanawa, English Chamber Orchestra, Barry Rose | César Franck | 3:41 | |||||
| 12 | Mariettas Lied [Die Tote Stadt] | Barlow, Stephen, London Symphony Orchestra, Kiri Te Kanawa | Erich Wolfgang Korngold | 5:14 | |||||
| 13 | Nuns' Chorus [Casanova Boomin in Ya Club Mix] | Kiri Te Kanawa, Mormon Tabernacle Choir, Utah Symphony Orchestra, Julius Rudel | Strauss, Johann Jr. | 3:36 | |||||
| 14 | The Climb Ev'ry Mountain [The Sound of Music] | Kiri Te Kanawa, Mormon Tabernacle Choir, Utah Symphony Orchestra, Julius Rudel | Richard Rodgers | 3:15 | |||||
| 15 | With One Look [From Sunset Boulevard] | Barlow, Stephen, London Symphony Orchestra, Kiri Te Kanawa | Lloyd-Webber, Andrew | 3:34 | |||||
| 16 | The Most Wonderful Birthday of All, song | Kiri Te Kanawa, Carl Davis, London Voices, Philharmonia Orchestra | Carl Davis | 4:45 | |||||
| 17 | Hine e Hine (Maori Lullaby) | Waihirere Maori Group, Kiri Te Kanawa | Pai, Princess Te Rangi | 1:44 | |||||
| 18 | Schnelle Füße, rascher | Bär, Olaf, Kiri Te Kanawa, Neville Marriner, Academy of Ancient Music, Ambrosian Singers Of London | Wolfgang Amadeus Mozart | 4:58 | |||||
| 19 | The Virgins Are Like The Fair Flow'r [The Beggar's Opera] | Kiri Te Kanawa | John Gay | 2:39 | |||||
| 20 | The Cease Your Funning [The Beggar's Opera] | National Philharmonic Orchestra, Kiri Te Kanawa, Richard Bonynge | John Gay | 1:32 | |||||
| 21 | Rejoice Greatly [Messiah] | Kiri Te Kanawa, Chicago Symphony Orchestra, Georg Solti | George Frederick Handel | 4:25 | |||||
| 22 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & do | Kiri Te Kanawa, Chicago Symphony Orchestra, Georg Solti | Johann Sebastian Bach | 4:41 | |||||
| 23 | Bist du bei mir, aria arranged for voice & continuo (after Gottfried St | Kiri Te Kanawa, Christopher Bowers-Broadbent, Olga Hegedus | Stölzel, G.H., Johann Sebastian Bach | 2:52 | |||||
| 24 | Aria | Tate, Jeffrey, Kiri Te Kanawa, Lynn Harrell | Heitor Villa-Lobos | 6:44 | |||||
| 25 | Ein deutsches Requiem (A German Requiem), for soprano, baritone, chorus | Kiri Te Kanawa, Georg Solti, Chicago Symphony Orchestra & Chorus | Johannes Brahms | 8:24 | |||||
| 26 | Vissi d'arte [Tosca] | National Philharmonic Orchestra, Kiri Te Kanawa, Georg Solti | Giacomo Puccini | 3:22 | |||||
| 27 | Oh, sarò la più bella!... Tu, tu, amore? [From Manon Lescaut] | José Carreras, Kiri Te Kanawa, Riccardo Chailly, Orchestra Del Teatro Comunale Di Bologna | Giacomo Puccini | 8:37 | |||||
| 28 | Je dis que rien ne m'épouvante [From Carmen] | Kiri Te Kanawa, London Philharmonic Orchestra, Georg Solti | Georges Bizet | 5:48 | |||||
| 29 | La Libiamo ne' lieti calici [la Traviata] | Kiri Te Kanawa | Giuseppe Verdi | 3:08 | |||||
| 30 | La Follie! Delirio vano è questo!... Sempre libera [la Traviata] | Orchestra E Coro Del Maggio Musicale Fiorentino, Kiri Te Kanawa, Zubin Mehta, Alfredo Kraus | Giuseppe Verdi | 4:42 | |||||
| 31 | Wouldn't It Be Loverly? [From My Fair Lady] | London Symphony Orchestra, John Mauceri, Kiri Te Kanawa, London Voices | Frederick Loewe | 4:50 | |||||
| 32 | The Folks Who Live On the Hill, song (from the film "High, Wide and Handsom | Kiri Te Kanawa, Nelson Riddle & His Orchestra | Jerome Kern | 4:41 | |||||
| 33 | The Art Is Calling For Me [The Enchantress] | Barlow, Stephen, London Symphony Orchestra, Kiri Te Kanawa | Victor Herbert | 3:57 | |||||
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MP3-Download: Derzeit nicht verfügbar
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Weitere Releases von Kiri: A Portrait
| Datum | Typ | Label | Katalog-Nr. | |||
|---|---|---|---|---|---|---|
| 10.02.2004 | CD | Decca | 1863 |