Kompositionen von Joan Baptista Comes
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| Werk |  | Epoche/Genre |
| A la sombra estáis, villancico al Santísimo | |
Choral
|
| A quien vísteis pastores, villancico for 8 voices | |
Choral
|
| Ad instar praelii constructa, mass for 12 voices & basso continuo | |
Choral
|
| Alabado | |
Choral
|
| Atended, Oid, Escuchad, villancico for 8 voices | |
Choral
|
| Aunque yace entre pajas, villancico for 4 voices | |
Choral
|
| Baylado | |
Vocal Music
|
| Beata viscera, for 10 voices (Nativity, Nocturne 3, Responsory 1) | |
Choral
|
| Caelestis urbs, Jerusalem, hymn for chamber orchestra | |
Kammermusik
|
| Corpus Namque, motet for 2 choirs | |
Choral
|
| Fundamenta ejus, motet for 2 choirs | |
Choral
|
| Gloria, for 12 voices | |
Choral
|
| Gozos al Angel Custodio, for chamber orchestra | |
Kammermusik
|
| Hodie nobis caelorum rex, for 12 voices (Nativity, Nocturne 1, Responsory 1) | |
Choral
|
| In memoria aeterna, motet for 4 voices | |
Vocal Music
|
| O Magnum Mysterium, for 12 voices (Nativity, Nocturne 2, Responsory 1) | |
Choral
|
| Para regalo y bien mío, villancico for 4 voices | |
Choral
|
| Que el rey del cielo, villancico for 5 voices | |
Choral
|
| Quem vidistis pastores, for 12 voices (Nativity, Nocturne 1, Responsory 3) | |
Choral
|
| Sancta et Immaculata, for 12 voices (Nativity, Nocturne 2, Responsory 3) | |
Choral
|
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