| Ab oriente venerunt magi, for 4 voices (Opus musicum) |  |
Renaissance
Choral
|
| Adeste Musae, maximi proles iovis, for 8 voices (Moralia, 9) | |
Renaissance
Choral
|
| Adoramus Te Jesu Christe, motet for double choir | |
Renaissance
Choral
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| Adoramus te, Jesu Christe | |
Renaissance
Choral
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| Alleluia, Cantate Domino, motet (from Opus Musicum II No. 34) | |
Renaissance
Choral
|
| Alleluia! In Resurrectione Tua | |
Renaissance
Choral
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| Anna soror, soror Anna, for 4 voices (Harmoniæ Morales, Book 1, No. 9) | |
Renaissance
Choral
|
| Anseris est giga, for 4 voices (Harmoniæ Morales, Book 3, No. 47) | |
Renaissance
Choral
|
| Ante luciferum genitus | |
Renaissance
|
| Archipoeta facit versus, for 4 voices (Harmoniæ Morales, Book 3, No. 36) | |
Renaissance
Choral
|
| Ascendit Deus | |
Renaissance
Choral
|
| Aspiciens a longe | |
Renaissance
Choral
|
| Ave verum corpus | |
Renaissance
Miscellaneous (Classical)
|
| Barbara, Celarent, for 4 voices (Harmoniæ Morales, Book 2, No. 32) | |
Renaissance
Choral
|
| Bells of the Church of Sts. Peter and Paul in Vysehra / Zvony Z Kostela Sv.Petra A Pavla Na Vysehrade | |
Renaissance
|
| Canite Tuba in Sion | |
Renaissance
Choral
|
| Canite tuba in Sion, antiphon for choir | |
Renaissance
Choral
|
| Cantante Domino, for orchestra | |
Orchestral
|
| Carmina laudantur, for 6 voices (Moralia, 17) | |
Renaissance
Choral
|
| Casta novenarum iacet aula, for 4 voices (Harmoniæ Morales, Book 1, No. 5) | |
Renaissance
Choral
|
| Cede repugnanti, for 8 voices (Moralia, 4) | |
Renaissance
Choral
|
| Clare vi, for 4 voices (Harmoniæ Morales, Book 3, No. 45) | |
Renaissance
Choral
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| Cogitate miseri, for 4 voices (Harmoniæ Morales, Book 1, No. 14) | |
Renaissance
Choral
|
| Conscia mens recti, for 5 voices (Moralia, 37) | |
Renaissance
Choral
|
| Cui bene succedit, for 6 voices (Moralia, 13) | |
Renaissance
Choral
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