| Offertorium in Festo 7 dolorum: Quo abiit dilectus, motet for solo voices, chorus, 4 violas, 4 keyboards & continuo in E minor, C. 48 |  |
Barock
Choral
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| Offertorium: Huc Poenitentes, motet for solo voices, chorus, orchestra, 3 keyboards & 2 continuo in C minor, C. 46 (A. 180) | |
Barock
Choral
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| Offertorium: Ne Cedite, motet for solo voices, chorus, orchestra, keyboard & 3 continuo in A minor, C. 47 | |
Barock
Choral
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| Pars I of "Mensa Sonora", suite for violins, 2 violas & continuo in D major, C. 69 | |
Barock
Orchestral
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| Pars II of "Mensa Sonora", suite for violins, 2 violas & continuo in F major, C. 70 | |
Barock
Orchestral
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| Pars III of "Mensa Sonora", suite for violins, 2 violas & continuo in A minor, C. 71 | |
Barock
Orchestral
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| Pars IV of "Mensa Sonora", suite for violins, 2 violas & continuo in B flat major, C. 72 | |
Barock
Orchestral
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| Pars V of "Mensa Sonora", suite for violins, 2 violas & continuo in A major, C. 73 | |
Barock
Orchestral
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| Pars VI of "Mensa Sonora", suite for violins, 2 violas & continuo in G minor, C. 74 | |
Barock
Orchestral
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| Partia, for 2 viola d'amore & continuo No. 7 in C minor (Harmonia Artificiosa-Ariosa No. 7), C. 68 | |
Barock
Kammermusik
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| Partia, for 2 violins & continuo No. 1 in D minor (Harmonia Artificiosa-Ariosa No. 1), C. 62 | |
Barock
Kammermusik
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| Partia, for 2 violins & continuo No. 2 in B minor (Harmonia Artificiosa-Ariosa No. 2), C. 63 | |
Barock
Kammermusik
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| Partia, for 2 violins & continuo No. 3 in A major (Harmonia Artificiosa-Ariosa No. 3), C. 64 | |
Barock
Kammermusik
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| Partia, for 2 violins & continuo No. 5 in G minor (Harmonia Artificiosa-Ariosa No. 5), C. 66 | |
Barock
Kammermusik
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| Partia, for 2 violins, viola da braccio & continuo No. 4 in E flat major (Harmonia Artificiosa-Ariosa No. 4), C. 65 | |
Barock
Kammermusik
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| Partita for 2 violins & basso continuo No. 6 in D major (Harmonia Artificiosa-Ariosa No. 6), C. 67 | |
Barock
Kammermusik
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| Passacaglia (Mystery Sonata), for violin solo in G minor, C. 105 | |
Barock
Kammermusik
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| Pastorella, sonata for violin & continuo in A major, C. 106 | |
Barock
Kammermusik
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| Plaudite tympana, motet for 2 double choruses in 16 parts, double orchestra & double continuo, C. App. 106 (attribution uncertain) | |
Barock
Choral
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| Requiem à 15, for solo voices, chorus, orchestra & continuo, C. 7 | |
Barock
Choral
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| Requiem ex F con terza minore, for solo voices, chorus, orchestra & continuo in F minor, C. 8 | |
Barock
Choral
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| Serenada à 5, for 2 violins, 2 violas & continuo (with optional bass voice) in C major ("Nightwatchman's Call"), C. 75 | |
Barock
Orchestral
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| Sonata à 3, for 2 violins, trombone & continuo in D minor, C. App117 (attribution uncertain) | |
Barock
Kammermusik
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| Sonata à 4 viols, for violin, piccolo violin, 2 violas & continuo in D major, C. App 119 (B. IV 117) (attributed to Biber) | |
Barock
Kammermusik
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| Sonata à 6 die pauern-Kirchfarth genandt, for 3 violins, 2 violas & continuo in B flat major, C. 110 | |
Barock
Kammermusik
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