| Canzon No. 17, for 12 parts |  |
Renaissance
Kammermusik
|
| Canzon No. 2, for 4 parts | |
Renaissance
Kammermusik
|
| Canzon No. 2, for 6 parts | |
Renaissance
Kammermusik
|
| Canzon No. 27 ("Fa sol la re"), for 8 parts (same as Canzon No.9 from 1615 collection) | |
Renaissance
Kammermusik
|
| Canzon No. 28 ("Sol sol la sol fa mi"), for 8 parts | |
Renaissance
Kammermusik
|
| Canzon No. 3, for 4 parts | |
Renaissance
Kammermusik
|
| Canzon No. 3, for 6 parts | |
Renaissance
Kammermusik
|
| Canzon No. 4, for 4 parts | |
Renaissance
Kammermusik
|
| Canzon No. 4, for 6 parts | |
Renaissance
Kammermusik
|
| Canzon No. 5, for 7 parts | |
Renaissance
Kammermusik
|
| Canzon No. 6, for 7 parts | |
Renaissance
Kammermusik
|
| Canzon No. 7, for 7 parts | |
Renaissance
Kammermusik
|
| Canzon No. 8, for 8 parts | |
Renaissance
Kammermusik
|
| Canzon No. 9 for 8 parts | |
Renaissance
Kammermusik
|
| Canzon primi toni a 10 (Sacrae Symphoniae) | |
Renaissance
Kammermusik
|
| Canzon, for 12 parts | |
Renaissance
Kammermusik
|
| Canzoni (unclassified) | |
Renaissance
Kammermusik
|
| Canzoni et Sonate (1615) | |
Renaissance
Kammermusik
|
| Chiar'angioletta semb'agl'occhi miei, madrigal for 8 voices | |
Renaissance
Choral
|
| Confitebor tibi Domine, motet for 13 voices | |
Renaissance
Choral
|
| Deus qui beatum Marcum, motet for 10 voices | |
Renaissance
Choral
|
| Deus, Deus meus, ad te, motet for 10 voices | |
Renaissance
Choral
|
| Deus, in nomine tuo, motet for 8 voices (1615) | |
Renaissance
Choral
|
| Diligam te, Domine, motet for 8 voices | |
Renaissance
Choral
|
| Dolce nemica mia, madrigal for 7 voices | |
Renaissance
Choral
|
