| How oft, instinct with warmth divine, psalm for 2 sopranos & bass, H. ii/181/1 |  |
Klassisch
Choral
|
| Hughie Graham ("Our lords are to the mountains gone"), folk song for voice, violin & keyboard, H. 31a/141 |  |
Klassisch
Vocal Music
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| Hungarian National March, for wind band in E flat major, H. 8/4 |  |
Klassisch
Band Music
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| I canna come ilke day to woo ("I ha'e laid a herring in sa't"), folk song for voice, violin & keyboard, H. 31a/140 |  |
Klassisch
Vocal Music
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| I canna come ilke day to woo ("Now bank and brae are cloth'd in green"), folk song for voice, violin, cello & keyboard, H. 31a/140bis |  |
Klassisch
Vocal Music
|
| I do confess thou art sae fair, folk song for voice, violin & keyboard, H. 31a/110 |  |
Klassisch
Vocal Music
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| I Dream'd I Lay, folk song for voice, violin & keyboard, H. 31a/87 |  |
Klassisch
Vocal Music
|
| I had a horse ("O poortith cauld and restless love"), folk song for voice, violin, cello & keyboard, H. 31a/17bis |  |
Klassisch
Vocal Music
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| I had a horse, folk song for voice, violin & keyboard, H. 31a/17 |  |
Klassisch
Vocal Music
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| I love my love in secret ("My Sandy gied to me a ring"), folk song for voice, violin & keyboard, H. 31a/3 |  |
Klassisch
Vocal Music
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| I wish my love were in a myre ("Again rejoicing Nature sees"), folk song for voice, violin, cello & keyboard, H. 31a/177 |  |
Klassisch
Vocal Music
|
| I'll never leave thee ("One day I heard Mary say..."), folk song for voice, violin, cello & keyboard, H. 31a/205 |  |
Klassisch
Vocal Music
|
| I'm O'er Young To Marry Yet ("I am my mammy's ae bairn"), folk song for voice, violin & keyboard, H. 31a/30 |  |
Klassisch
Vocal Music
|
| If a body meet a body ("I have been courting at a lass"), folk song for voice, violin & keyboard, H. 31a/80 |  |
Klassisch
Vocal Music
|
| If a body meet a body ("O Tibbie I have seen the day"), folk song for voice, violin, cello & keyboard, H. 31a/80bis |  |
Klassisch
Vocal Music
|
| If e'er ye do well it's a wonder ("How blest was the hour"), folk song for voice, violin & keyboard, H. 31a/95 |  |
Klassisch
Vocal Music
|
| Il Maestro e lo scolare, sonata for keyboard, 4 hands, H. 17a/1 |  |
Klassisch
Keyboard
|
| Il meglio mio carattere, aria for soprano & orchestra (for Cimarosa: L'impresario in angustie), H. 24b/17 |  |
Klassisch
Vocal Music
|
| Il mondo della luna, opera, H. 28/7 |  |
Klassisch
Oper
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| Il Ritorno di Tobia, oratorio for 4 soloists, chorus & orchestra, H. 21/1 |  |
Klassisch
Choral
|
| Infelice Sventurata, aria for soprano & orchestra (for Cimarosa, I due supposti conti), H. 24b/15 |  |
Klassisch
Vocal Music
|
| Insanae et Vanae Curae, motet for chorus & orchestra, Becker-Glauch B/8 (adapted from "Il Ritornio di Tobia," no. 13c) |  |
Klassisch
Choral
|
| Invocation of Neptune ("Nor can I think...Thy great endeavors"), for bass, chorus & orchestra, H. 24a/9 |  |
Klassisch
Choral
|
| Jamie come try me, folk song for voice, violin & keyboard, H. 31a/79 |  |
Klassisch
Vocal Music
|
| Jeder meint, der Gegenstand, song for voice & keyboard, H. 26a/13 |  |
Klassisch
Vocal Music
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