Kompositionen von Francesco Rognoni
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| Werk |  | Epoche/Genre |
| Ancor che col partire (after Cipriano de Rore) | |
Miscellaneous (Classical)
|
| Canzon No. 1 for 2 cornets & organ | |
Kammermusik
|
| Canzon No. 2 for 2 cornets & organ | |
Kammermusik
|
| Divisions on Suzanne un jour | |
Miscellaneous (Classical)
|
| Divisions on Vestiva i colli | |
Miscellaneous (Classical)
|
| Passaggi on Lassau's "Susanna un jour" per il violone over trombone alla bastarda | |
Kammermusik
|
| Sfogava con le stelle, motet | |
Vocal Music
|
| Sonata seconda, for cornetto, violin, viola da gamba, guitar & organ | |
Renaissance
Kammermusik
|
| Variations on Losso's "Suzanne un jour" | |
Miscellaneous (Classical)
|
| Variations on Mortara's La Porcia, for violin & 3 viols | |
Kammermusik
|
| Variations on Palestrina's "lo son ferito" | |
Miscellaneous (Classical)
|
| Variations on Palestrina's "Pulchra es" | |
Miscellaneous (Classical)
|
| Variations on Palestrina's Pulchra es, for bass viola da gamba & continuo | |
Kammermusik
|
| Variations on Palestrina's Pulchra es, for soprano viola da gamba & 4 voices | |
Choral
|
| Variations on Palestrina's Vestiva i colli, for soprano viola da gamba & continuo | |
Kammermusik
|
| Variations on Palestrina's Vestiva i colli, for viola bastarda, 3 voices & continuo | |
Choral
|
| Veni Domine, for cornet & organ | |
Kammermusik
|
| Work(s) | |
Miscellaneous (Classical)
|
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