Kompositionen von Eyvind Kang
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| Werk |  | Epoche/Genre |
|---|---|---|
| 10:10 (The Beloved One) | |
Contemporary Kammermusik |
| Angel with wings torn off | |
Contemporary Avant-Garde Music |
| Asa Tru, for violin & orchestra | |
Contemporary Concerto |
| Athlantis | |
Contemporary Choral |
| Ayanamsha | |
Contemporary Kammermusik |
| Doorway to the Sun | |
Contemporary Kammermusik |
| Earth | |
Contemporary Miscellaneous (Classical) |
| Enter the Garden | |
Contemporary Orchestral |
| Epoché for strings (after Bach) | |
Contemporary Kammermusik |
| Extra City | |
Contemporary Miscellaneous (Classical) |
| Fire in Wind | |
Contemporary Orchestral |
| Go in a Good Way to a Better Place | |
Contemporary Kammermusik |
| Harbour of the NADE | |
Contemporary Kammermusik |
| Hawks Prairie, for chamber ensemble & electronics | |
Contemporary |
| Hiemarmene, for chamber ensemble | |
Contemporary Kammermusik |
| I am the Dead | |
Contemporary Kammermusik |
| Inevitability/The Engagement | |
Contemporary Miscellaneous (Classical) |
| Innocent Eye, Crystal See | |
Contemporary Kammermusik |
| Living Corpses | |
Contemporary Miscellaneous (Classical) |
| Locus iste, for chamber ensemble & electronics (after Bruckner) | |
Contemporary |
| Marriage of Days | |
Contemporary Kammermusik |
| Mistress Mine, for voice & chamber ensemble | |
Contemporary Vocal Music |
| Nade No. 1 | |
Contemporary Miscellaneous (Classical) |
| Nade No. 5 | |
Contemporary Miscellaneous (Classical) |
| Nade No. 6 | |
Contemporary Miscellaneous (Classical) |
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