| (Untitled), film score |  |
Filmmusik
|
| Again (after Eclesiastes), for chorus | |
Choral
|
| Are You Experienced? for electric tuba, narrator & ensemble | |
Modern
Miscellaneous (Classical)
|
| Born To Be Wild (after Steppenwolf), for piano | |
Keyboard
|
| By Fire for soprano, bass & chorus | |
Modern
Choral
|
| Cheating, Lying, Stealing, bass clarinet, cello, piano & 2 percussionists | |
Modern
Kammermusik
|
| Evening Morning Day, for chorus | |
Choral
|
| Face So Pale, for piano ensemble | |
Keyboard
|
| For Love Is Strong, for chorus | |
Choral
|
| Frag | |
Contemporary
Kammermusik
|
| How to Pray, for cello, piano, electric guitar & drums | |
Contemporary
Kammermusik
|
| I Lie, for chorus | |
Choral
|
| Illumination Rounds, for violin & piano | |
Modern
Kammermusik
|
| Little Eye, for cello & 4 non-percussionists | |
Contemporary
Kammermusik
|
| Memory Pieces, for piano | |
Contemporary
Keyboard
|
| men, for trombone & ensemble | |
Contemporary
Concerto
|
| My Very Empty Mouth, for flute, bass clarinet, violin, viola, cello & piano | |
Contemporary
Kammermusik
|
| Orpheus Over and Under, for 2 pianos | |
Modern
Keyboard
|
| Pay me now, song | |
Vocal Music
|
| Pierced, for cello, piano, synthesizer, percussion & orchestra | |
Orchestral
|
| Revolutionary Etudes, for saxophone quartet | |
Kammermusik
|
| Short Fall, for piccolo, violin, cello & piano | |
Contemporary
Kammermusik
|
| simple mix, for ensemble (after Terry Riley's "In C") | |
Avant-Garde Music
|
| Spud | |
Modern
Miscellaneous (Classical)
|
| Stick Figure, for clarinet, piano, percussion, cello & 2 non-percussionists | |
Contemporary
Kammermusik
|
