| Hay una mujer desaparecida |  |
Modern
Keyboard
|
| I like to think of Harriet Tubman, for female voice, clarinet, violin & double bass | |
Contemporary
Vocal Music
|
| Jasper, for double bass & violin | |
Contemporary
Kammermusik
|
| John, David, for solo percussion & orchestra | |
Modern
Concerto
|
| Kegama, for violin, clarinet/bass clarinet, cello, piano & percussion | |
Contemporary
Kammermusik
|
| Keyboard Miscellany, for piano | |
Keyboard
|
| Long Piano, for piano ("Peace March 11") | |
Keyboard
|
| Look She Said, for solo double bass with voice | |
Contemporary
Kammermusik
|
| Malvina | |
Modern
Kammermusik
|
| Mayday Materials | |
Modern
|
| Pairs, Version 1 | |
Contemporary
Kammermusik
|
| Pairs, Version 2 | |
Contemporary
Kammermusik
|
| Peace March 1, for flute ("Stop using uranium") | |
Contemporary
Kammermusik
|
| Peace March 2, for flute, clarinet, cello, piano & percussion | |
Contemporary
Kammermusik
|
| Pebbles, for violin & piano | |
Contemporary
Kammermusik
|
| Peggy, for tenor trombone | |
Contemporary
Kammermusik
|
| Peruvian Honeymoon, for piano ("Eight Days a Week Variation") | |
Contemporary
Keyboard
|
| Piano Song (I am a Dangerous Woman) | |
Modern
Kammermusik
|
| Piano Trio | |
Contemporary
Kammermusik
|
| Pieces (3) for violin & viola | |
Contemporary
Kammermusik
|
| Preludes (11) for piano | |
Modern
Keyboard
|
| Prose Collection | |
Contemporary
Kammermusik
|
| Puls, for trumpet & percussion | |
Contemporary
Kammermusik
|
| Rosas, for piano & percussion | |
Contemporary
Kammermusik
|
| Ruth, for tenor trombone and piano | |
Contemporary
Kammermusik
|
