Andrew Ford
0
TickIt!
| Geboren | ??.??.1957 |
| Epoche | Contemporary (1950-200X) |
| Land | Unbekannt |
| Pop-Profil | Pop-Profil von Andrew Ford |
Biografie
„Der Musiker aus Chicago weiß, wie man Pophits schreibt – er weiß nur nicht, ob er das auch wirklich will. Es kämpft der Virtuose mit dem Popfan und dem feinsinnigen Arrangeur.“ „Es passiert viel in Birds Songs, viel Ungewöhnliches und Überraschendes auch, doch sind sie immer voll Luft und Raum – und voll verführerischer Eleganz.“ „A classically trained musician who makes self-consciously wordy music, Bird is among those American musicians who are almost like Victorian children – polite to the point of being seen, and very nearly, not heard. The very opposite of the "complaint rock" that one is supposed to have once blasted from college dorms, Bird’s... ~ de.wikipedia.org
Letzten Veröffentlichungen
Kompositionen von Andrew Ford
| Werk | Epoche/Genre | |
|---|---|---|
| Chamber Concerto No. 3: In constant flight, for violin & ensemble |
Contemporary Concerto | |
| Getting Blue, for alto saxophone & vibraphone |
Contemporary Kammermusik | |
| Hymn to the Sun (after Mesomedes of Crete), for clarinet, celesta & harp |
Contemporary Kammermusik | |
| Icarus drowning, for ensemble |
Contemporary Orchestral | |
| Kumquat for John Keats, for piano |
Contemporary Keyboard | |
| Like Icarus ascending, for violin |
Contemporary Kammermusik | |
| Memorial, for cello with digital delay |
Contemporary Kammermusik | |
| Parabola, for 2 speakers, bass clarinet, piano & percussion |
Contemporary Miscellaneous (Classical) | |
| Pastoral, for 3 violins, 2 violas, 2 cellos & double bass |
Contemporary Kammermusik | |
| Sacred Places, for tenor voice & ensemble, No. 1, So much to read, so little to understand |
Contemporary Vocal Music |





